Byren never wanted the throne. It was destined for Lence, his twin brother, older by seven minutes and the rightful heir to Rolencia. But the royal heir resents Byren’s growing popularity, and in the court of King Rolen, the shadows are thick with enemies plotting revolution. Only seven minutes younger than Rolencia’s heir, Byren has never hungered for the throne. He laughs when a seer predicts that he will kill his twin. But the royal heir resents Byren’s growing popularity. Across the land the untamed magic of the gods wells up out of the earth’s heart. It sends exotic creatures to stalk the wintry nights and it twists men’s minds, granting them terrible visions. Those so touched are sent to the Abbey to control their gift, or die. At King Rolen’s court enemies plot to take his throne, even as secrets within his own household threaten to tear his family apart. Political intrigue and magic combine in this explosive first book in an exciting new fantasy trilogy.

First serialised in The New York Times Magazine 'Funny Pages' Seth's graphic novel tells the story of George Sprott, the host of a long-running and unaccountably popular Canadian television programme, Northern Hi-Lights, in which he shows old films of the Arctic, while 'rambling on in a monotone voice about Eskimos or seal hunts or snowstorms' and often falling asleep on-air. On the surface George seems a charming, foolish, old man, but as we come to know him, piece by piece, in a series of'interviews', flashbacks and personal reminiscences a more complex picture emerges. Another masterpiece by the author of It's a Good Life If You Don't Weaken and Wimbledon Green, George Sprott is a story about time, identity, loss and the persistence of memory.

The noodle soup called pho is the national dish of Vietnam. When Little Blue - having been dropped by a mysterious man with a red car and being told to count to 500 - finds himself in Ho Chi Minh City, Vietnam's baffling, daunting capital,his salvation is his own mobile pho stand. Little Blue's relationship with the city and its food brings an understanding to what it means to never want to return home and the fact that everyone goes away in the end. Beautifully drawn and coloured, and featuring many delicious recipes for pho, this is a startlingly original and immensely appealing graphic novel by a brilliant new talent. Play the interactive motion comic at

These images from the Norman Rockwell collections of George Lucas and Steven Spielberg, chart the connections between Rockwell's iconic images of American life and the movies. Telling Stories, based on the Rockwell collections of George Lucas and Steven Spielberg, is the first book to chart the connections between Rockwell's iconic images of American life and the movies. Rockwell, the quintessential American mythmaker of the twentieth century, was a storyteller on a par with the great Hollywood directors of his day. Within his art, the fantasies and foibles of ordinary people are given life, central among them the themes of love of country, the sanctity of family, and the value of personal honour. Spielberg and Lucas - masterful storytellers and mythmakers themselves - are kindred spirits whose early introduction to art and the American dream came via Rockwell's famous magazine art. Rockwell composed his scenes with precision, carefully controlling each detail to enrich his characters. Spielberg and Lucas used similar techniques to shape some their most successful films, among them American Graffiti, Star Wars, ET: The Extraterrestrial, the Indiana Jones series and Saving Private Ryan. Essays by curator Virginia Mecklenburg and film critic Todd McCarthy explore this influence, also revealing Rockwell to have been an artist used techniques inspired by Hollywood movies in his visual storytelling. Telling Stories, which accompanies an exhibition at the Smithsonian American Art Museum, is richly illustrated with Rockwell images, photographs, and film stills.