Collects new essays on the work of the creator of the immensely popular Peanuts comic strip. Despite Schulz's celebrity, few scholarly books on his work and career have been published. This collection serves as a foundation for future study not only of Charles Schulz (1922-2000) but, more broadly, of the understudied medium of newspaper comics. The Comics of Charles Schulz collects new essays on the work of the creator of the immensely popular Peanuts comic strip. Schulz’s Peanuts ran for a half century, during which time he drew the strip and its characters to express keen observations on postwar American life and culture. As Peanuts’ popularity grew, Schulz had opportunities to shape the iconography, style, andphilosophy of modern life in ways he never could have imagined when he began the strip in 1950. Edited by leading scholars Jared Gardner and Ian Gordon, this volume ranges over a spectrum of Schulz’s accomplishments and influence, touching on everything from cartoon aesthetics to the marketing of global fast food. Philosophy, ethics, and cultural history all come into play. Indeed, the book even highlights Snoopy’s global reach as American soft power. As the broad interdisciplinary range of this volume makes clear, Peanuts offers countless possibilities for study and analysis. From many perspectives—including childhood studies, ethnic studies, health and exercise studies, as well as sociology— The Comics of Charles Schulz offers the most comprehensive and diverse study of the most influential cartoonist during the second half of the twentieth century. With contributions by: Leonie Brialey, MJ Clarke, Roy T. Cook, Joseph J. Darowski, Ian Gordon, Gene Kannenberg Jr., Christopher P. Lehman, Anne C. McCarthy, Ben Owen, Lara Saguisag, Ben Saunders, Jeffrey O. Segrave, and Michael Tisserand.

Brings together two distinct areas of research - trauma studies and comics studies - to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in post-Vietnam War American comics, Harriet E.H. Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible. Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in waysthat are both different from and complementary to literature and film. In Comics, Trauma, and the New Art of War, Harriet E. H. Earle brings together two distinct areas of research—trauma studies and comics studies—to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in post–Vietnam War American comics, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible. Using texts from across the form and placing mainstream superhero comics alongside alternative and art comics, Earle suggests that comics are the ideal artistic representation of trauma.Because comics bridge the gap between the visual and the written, they represent such complicated narratives as loss and trauma in unique ways, particularly through the manipulation of time and experience. Comics can fold time and confront traumatic events, be they personal or shared, through a myriad of both literary andvisual devices. As a result, comics can represent trauma in ways that are unavailable to other narrative and artistic forms. With themes such as dreams and mourning, Earle concentrates on trauma in American comics after the Vietnam War. These works include Alissa Torres’s American Widow, Doug Murray’s The’Nam, and Art Spiegelman’s much lauded Maus. These works pair with ideas from a wide range of thinkers, including Sigmund Freud, Mikhail Bakhtin, and Fredric Jameson, as well as contemporary trauma theory and clinical psychology. Through these examples and others, Comics, Trauma, and the New Art of War proves that comics open up new avenues to explore personal and public trauma in extraordinary, necessary ways.

As an American comic book writer, editor, and businessman, Jim Shooter (b. 1952) remains among the most important figures in the history of the medium. Starting in 1966 at the age of fourteen, Shooter, as the young protégé of verbally abusive DC editor Mort Weisinger, helped introduce themes and character development more commonly associated with DC competitor Marvel Comics. Shooter created several characters for the Legion of Super-Heroes, introduced Superman’s villain the Parasite, and jointly devised the first race between the Flash and Superman. When he later ascended to editor-in-chief at Marvel Comics, the company, indeed the medium as a whole, was moribund. Yet by the time Shooter left the company a mere decade later, the industry had again achieved considerable commercial viability, with Marveldominating the market. Shooter enjoyed many successes during his tenure, such as Chris Claremont and John Byrne’s run on the Uncanny X-Men, Byrne’s work on the Fantastic Four, Frank Miller’s Daredevil stories, Walt Simonson’s crafting of Norse mythology in Thor, and Roger Stern’s runs on Avengers and The Amazing Spider-Man, as well as his own successes writing Secret Wars and Secret Wars II. After a rift at Marvel, Shooter then helped lead Valiant Comics into one of the most iconic comic book companies of the 1990s, before moving to start-up companies Defiant andBroadway Comics. Interviews collected in this book span Shooter’s career. Included here is a 1969 interview that shows a restless teenager; the 1973 interview that returned Shooter to comics; a discussion from 1980 during his pinnacle at Marvel; and two conversations from his time at Valiant and Defiant Comics. At the close, anextensive, original interview encompasses Shooter’s full career.

Dive to Bikini Bottom in this first-ever collection of award-winning comics with more than 10 original spooky stories starring everyone favourite porous, yellow friend-SpongeBob SquarePants! Who lives in a pineapple under the sea? SpongeBob SquarePants! SpongeBob Comics: Tales from the Haunted Pineapple is the third collection of previously published material specially curated by SpongeBob creator Stephen Hillenburg. Tales from the Haunted Pineapple includes more than 15 short, self-contained stories by some of the biggest comics creators in the industry. These original stories feature all the fan favorites—from Patrick and Squidward to Sandy and Mr. Krabs—in original adventures you won’t see on television. Best of all, this book includes stories with spooky themes just in time for Halloween.

It's Open Mic Night at the Story Zoo and the dogs are up to tell their tales in this hilarious graphic novel for young readers. At the Story Zoo, you get to tell any story you want in front of the live audience, as long as it's about you. And tonight is dog night. So sit back, relax, and let these dogs tell their tales. We've got some hilarious but quite touching stories from dogs of all kinds, including a bulldog who doesn't wanted to be judged by his looks; a bloodhound who loses her power of scent and turns to a dog called Surelick Holmes for help; an energetic poodle who saves the day with her yapping; and a stray who takes fetching to a whole new level. These stories will make you laugh, make you cry and maybe even make you howl at the moon. Whether you're looking for smart, funny, sweet, sharp, silly or just plain fuzzy, The Story Zoo is going to be your new favorite haunt.

Things are getting weird in Surfside. Lately, Samantha's best friend Jade explodes into fits of giggles whenever she sees a boy, and it's throwing a wrench into the kick-back summer of surfing and hanging out that Sam had planned. But after swimming through a secret underwater cave, Sam starts to... see things. Like ghosts. And pirates. And maybe something even scarier! Can she and Jade get to the bottom of this mystery in time to save their town?

The truth behind the Doctor's possible-crime revealed! Shocking surprises in store for the Doctor's companions! The thrilling chase resolved; every mystery unveiled! Don't miss this final chapter where the Doctor and his companions face... The Malignant Truth! DON'T MISS THE STUNNING SIXTH COLLECTION OF THE ELEVENTH DOCTOR'S ALL-NEW COMICS ADVENTURES! Don't miss this final chapter where the Doctor and his companions face...The Malignant Truth!

Uprising follows the story of what happened after Ragnar and his crew's raid on Paris. Ragnar is a broken man, but an attempt on his life causes him to take drastic action. His former wife Lagertha travels to the holy place of Uppsala seeking a sign from the gods, but finds only destruction. Meanwhile, his former wife Lagertha travels to the holy place of Uppsala seeking a sign from the gods, but finds only destruction. Lagertha and her shield maidens must find those responsible.

Valerian (Dane DeHaan) and Laureline (Cara Delevingne) are special operatives for the government of the human territories charged with maintaining order throughout the universe. Under directive from their Commander (Clive Owen), Valerian and Laureline embark on a mission to the breathtaking intergalactic city of Alpha. In the 28th century, Valerian (Dane DeHaan) and Laureline (Cara Delevingne) are a team of special operatives charged with maintaining order throughout the human territories. Under assignment from the Minister of Defense, the two embark on a mission to the astonishing city of Alpha-an ever-expanding metropolis where species from all over the universe have converged over centuries to share knowledge, intelligence and cultures with each other.There is a mystery at the center of Alpha, a dark force which threatens the peaceful existence of the City of a Thousand Planets, and Valerian and Laureline must race to identify the marauding menace and safeguard not just Alpha, but the future of the universe.

OFFICIAL STAR WARS IN-UNIVERSE BOOK FEATURING NOTES ON TACTICS, ARMOR, AND VALOR FROM GALACTIC CONFLICTS IN THE STAR WARS UNIVERSE From the Clone Wars and the Rebellion to the clashes with the First Order, the galaxy is defined by war. Star Wars: On the Front Lines chronicles the tactics, weapons, and armor used in pivotal battles along with acts of valor achieved during the campaign. By focusing on elements of the battles that occurred off screen, this collection brings the struggles faced by ground soldiers and starfighter pilots to life like never before, placing the reader on the battlelines. With full-spread, classic illustrations that capture the sweeping scale of these historical battles, On the Front Lines brings a fresh look at the forces who fought on the front lines.