Shoe is the everyday story of motley crew of newspapermen, all of whom are birds. Originally written and drawn by its creator, triple Pulitzer Awarding winning cartoonist Jeff MacNelly from September 13, 1977 until his death in 2000 where it was continued by Chris Cassatt, Gary Brookins and Jeff's wife Susie MacNelly.

Times Square, 1986: the home of New York's red light district where strip clubs, porno theatres and petty crime prevails. When a chance encounter for Peepbooth worker Roxy Bell leads to the brutal murder of a public access pornographer, the erotic performer and her punk rock ex-partner Nick Zero soon find themselves under fire. When a chance encounter for Peepbooth worker Roxy Bell leads to the brutal murder of a public access pornographer, the erotic performer and her punk rock ex-partner Nick Zero soon find themselves under fire from criminals, cops, and the city elite, as they begin untangling a complex web of corruption leading right to city hall.

The complex material histories of the Nintendo Entertainment System platform, from code to silicon, focusing on its technical constraints and its expressive affordances. In the 1987 Nintendo Entertainment System videogame Zelda II: The Adventure of Link, a character famously declared: I AM ERROR. Puzzled players assumed that this cryptic mesage was a programming flaw, but it was actually a clumsy Japanese-English translation of My Name is Error, a benign programmer's joke. In I AM ERROR Nathan Altice explores the complex material histories of the Nintendo Entertainment System (and its Japanese predecessor, the Family Computer), offering a detailed analysis of its programming and engineering, its expressive affordances, and its cultural significance. Nintendo games were rife with mistranslated texts, but, as Altice explains, Nintendo's translation challenges were not just linguistic but also material, with consequences beyond simple misinterpretation. Emphasizing the technical and material evolution of Nintendo's first cartridge-based platform, Altice describes the development of the Family Computer (or Famicom) and its computational architecture; the translation problems faced while adapting the Famicom for the U.S. videogame market as the redesigned Entertainment System; Nintendo's breakthrough console title Super Mario Bros. and its remarkable software innovations; the introduction of Nintendo's short-lived proprietary disk format and the design repercussions on The Legend of Zelda; Nintendo's efforts to extend their console's lifespan through cartridge augmentations; the Famicom's Audio Processing Unit (APU) and its importance for the chiptunes genre; and the emergence of software emulators and the new kinds of play they enabled.

Behold the mightiest, fightiest super hero there is! Captain Marvel returns to her helm as Alpha Flight commander with the world cheering her on. She's the biggest hero in the world - but has Captain Marvel become someone Carol Danvers no longer recognizes? New York Times bestselling author Margaret Stohl ( Beautiful Creatures, Black Widow: Forever Red) makes her comics series debut with a blockbuster Marvel story decades in the making! COLLECTING: THE MIGHTY CAPTAIN MARVEL (2016) 0-5

When the Guardians are entrusted with an important but seemingly straight-forward delivery, nothing can go wrong, right? Right! Until everything starts going very wrong. Things might get a little more chaotic when the team meets the mysterious Mother Entropy: Who is she and what is her business with the Guardians? COLLECTING: GUARDIANS OF THE GALAXY: MOTHER ENTROPY 1-5

Critically lauded writer and playwright SEAN LEWIS follows up the cult favorite SAINTS with his newest book THE FEW. Teaming with red-hot artist HAYDEN SHERMAN THE FEW introduces readers to a futuristic world of militias, roving cults and an American government that has decided to cut off ties with poorer states. HALE is a US Palace Soldier who when witnessing a massacre while under cover, escapes through the forgotten American badlands with a gas mask wearing baby in tow. Now hunted by her country and the cult she was watching her life falls in the hands of two survivalist brothers. Mad Max action with a Station Eleven sensibility combines in this sci-fi series for mature readers. Collects issues 1 through 6.

Writer JOE HARRIS (The X-Files) and artist MARTIN MORAZZO (Vertigo Quarterly), creators of GREAT PACIFIC, reunite for a brand new ongoing science-fiction series. In the year 2045 it no longer snows following a crash that left the climate ravaged, society splintered and the newly-christened Cooperative States of America propped up and administered by the powerful Hazeltyne Corporation. Only one man wages an all-out weather war against the system, wielding the forces of nature themselves as weapons. He's the White Wizard. The Ghost in the Night. Genius. Terrorist. Outlaw. Hero? Collects Issues 1 through 9.

John Chapman, aka Johnny Appleseed, made himself the stuff of legend by spreading the seeds of apple trees from Pennsylvania to Indiana. Along with that, he offered the seeds of nonviolence and vegetarianism, good relationships with Native Americans, and peace among the settlers. He was one of the New World’s earliest followers of the Swedish theologian Emanuel Swedenborg. The story of John Chapman operates as a counter-narrative to the glorification of violence, conquest, and prevailing notions of how the West was Won. It differentiates between the history and the half-myths of Johnny Appleseed’s life and work: His apples, for instance, were prized for many reasons, but none more so than for the making of hard cider. He was also a real estate speculator of sorts, purchasing potentially fertile but unproven acres and then planting saplings before flipping the land. Yet, he had less interest in financial gain—and yes, this is an accurate part of the mythology—than in spreading visions of peace and love. Johnny Appleseed brings this quintessentially American story to life in comics form.

George Grosz (1893–1959) was a German fine artist, cartoonist, and teacher who drew from pop culture, was active in the Dada and New Objectivist movements, and was an influence for artists like Ben Shahn. (His antiwar painting, Eclipse from the Sun, would inspire Vietnam protesters.) In this graphic biography, written and drawn by Fiske, angular art lays Kandinsky-like lines over scenes set in anything-goes, post–World War I Berlin: connecting, emphasizing, tracing movement. Curves evoke the fleshy sex of Grosz’s work. (Fiske channels the exuberance and fascination with line that typified Grosz’s work, and more generally early to mid-century art movements.) Symbolically, Fiske uses two colors—red for Berlin, a slash of Grosz’s lipstick, a flash of tie—and green for the jazz and trains of New York, where Grosz would flee from Nazi Germany. Fiske’s thoughtful Grosz is a far cry from the plodding pedantry of the graphic hagiographies that earnestly clutter library shelves; it’s a work of art in its own right.

This special collection features more than 30 EC classics from the pages of Tales From the Crypt, The Haunt of Fear, The Vault of Horror, Shock SuspenStories, Impact, and Crime SuspenStories. Of special note is all of Orlando’s Panic stories, including parodies of Mother Goose, TV commercials, and soap operas.

The early-1960s Gil Jordan adventure ''Ten Thousand Years in Hell'' marks asharp departure from the moody, urban detective thrillers of Jordan's previousadventures: instead it turns into a rollicking, comedic South American prisonescape yarn. ''Boom and Bust'' finds a countryside jaunt turned into an ad hocinvestigation by a spectacular vehicular washout and a suspiciously noisyenclosure. Tillieux's masterful graphic novel series remind the reader why hewas considered one of the top Franco-Belgian cartoonists of the time: of anytime.

In the second (and concluding) volume, Nanami had sworn to never see her granddaughter, Aoba, again. A despairing Kiriya had rejected his father, Tokio. Yet now both are traveling with Tokio to Engaru, where Aoba has slept and dreamt of the island of Barbara for seven years. The poltergeist phenomena becomes more intense. Can the dreamer become the dreamed, and the dreamed the dreamer?