The entrancing story of the Brontë sisters' childhood imaginary world, from the New York Times bestselling graphic novelist.

A new adventures of the universe's most powerful hero! As Captain Marvel, Carol Danvers has spent months in space protecting Earth from alien threats big and small, but now it's time for Earth's mightiest hero to come home. New York City has never looked so good. But every re-entry comes with the unexpected, and Carol is about to hit a whole lot of unexpected. It's a fresh start and a star-studded welcome home for a hero who's been punching the glass ceiling since the 1970s and just in time for the first female-led film from Marvel Studios! The next 50 years of Captain Marvel starts here!

In 1962''s Amazing Fantasy #15, fifteen-year-old Peter Parker was bitten by a radioactive spider and became the Amazing Spider-Man! 57 years have passed in the real world since that event - so what would have happened if the same amount of time passed for Peter as well? To celebrate Marvel''s 80th anniversary, Chip Zdarsky and Spider-Man legend Mark Bagley unite to spin a unique Spidey tale - telling an entire history of Spider-Man from beginning to end, set against the key events of the decades through which he lived!

A Japanese manga legend's autobiographical graphic novel about a struggling artist and the first full-length work by the great Yoshiharu Tsuge available in the English language. Yoshiharu Tsuge is one of comics' most celebrated and influential artists, but his work has been almost entirely unavailable to English-speaking audiences. The Man Without Talent, his first book ever to be translated into English, is an unforgiving self-portrait of frustration. Swearing off cartooning as a profession, Tsuge takes on a series of unconventional jobs -- used camera salesman, ferryman, and stone collector -- hoping to find success among the hucksters, speculators, and deadbeats he does business with. Instead, he fails again and again, unable to provide for his family, earning only their contempt and his own. The result is a dryly funny look at the pitfalls of the creative life, and an off-kilter portrait of modern Japan. Accompanied by an essay from translator Ryan Holmberg that discusses Tsuge's importance in comics and Japanese literature, The Man Without Talent is one of the great works of comics literature.

Welcome to the story to end all stories. Two decades of literary League lunacy have all been building to this, the most ambitious meta-comic imaginable. After an epic twenty-year journey through the entirety of human culture - the biggest cross-continuity 'universe' that is conceivable - Alan Moore and Kevin O'Neill conclude both their legendary League of Extraordinary Gentlemen and their equally legendary comic-book careers with the series' spectacular fourth and final volume, The Tempest. Tying up the slenderest of plot threads and allusions from the three preceding volumes, The Black Dossier, and the Nemo trilogy into a dazzling and ingenious bow, the world's most accomplished and bad-tempered artist-writer team use their most stylistically adventurous outing yet to display the glories of the medium they are leaving; to demonstrate the excitement that attracted them to the field in the first place; and to analyse, critically and entertainingly, the reasons for their departure. Opening simultaneously in the panic-stricken headquarters of British Military Intelligence, the fabled Ayesha's lost African city of Kor and the domed citadel of 'We' on the devastated Earth of the year 2,996, the dense and yet furiously-paced narrative hurtles like an express locomotive across the fictional globe from Lincoln Island to modern America to the Blazing World; from the Jacobean antiquity of Prospero's Men to the superhero-inundated pastures of the present to the unimaginable reaches of a shimmering science-fiction future. With a cast-list that includes many of the most iconic figures from literature and pop culture, and a tempo that conveys the terrible momentum of inevitable events, this is literally and literarily the story to end all stories. Originally published as a six-issue run of unfashionable, outmoded and flimsy children's comics that would make you appear emotionally backward if you read them on the bus, this climactic magnum opus also reprints classic English super-team publication The Seven Stars from the murky black-and-white reaches of 1964. A magnificent celebration of everything comics were, are and could be, any appreciator or student of the medium would be unwise to miss The League of Extraordinary Gentlemen, Volume IV: THE TEMPEST. Co-Published by Top Shelf Productions (US) and Knockabout (UK).

From the creator of the Civil Rights era graphic novel Josephine and the period piece The Plane Story Kevin Sacco brings another look back set in the advertising world of New York. It's a snowy night in the early 1960s and Zeppo Abandando, an advertising copywriter, is searching for his eureka moment for an ad campaign. White Night tells the story of this search, and in the process, Sacco reveals a loving portrait of Zeppo's world-at home, on Madison avenue, and at Harold's Showspot, his favorite bar. Part fiction, part memoir, White Night pays homage to Sacco's real life father, Joe Sacco, telling the story, and through his pitch perfect drawings, Zeppo's search for an aha moment takes on a grander, warmly humanistic meaning.

Hans Holbein’s 16th-century masterpiece, The Dance of Death, reminds its readers that no one, no matter their rank or position, can escape the great leveller, Death. In a foreboding series of woodcuts, Death, depicted as a skeleton, intrudes on the lives of people from every level of society, from the sailor to the judge, the ploughman to the king. By highlighting our common fate, Holbein exposes the folly of greed and ambition, and in doing so brings a corrupt and callous elite crashing back down to earth. In this darkly satirical update, Guardian cartoonist Martin Rowson sharpens and reshapes Holbein’s vision for the 21st century. Death seizes the City banker by his braces and offers a light to the oligarch; it joins the surgeon in theatre and the Hollywood star on the red carpet. Filled with wit and doom-laden drama, Martin Rowson’s The Dance of Death is a masterful reimagining of a book which, in its uncompromising treatment of the rich and powerful, paved the way for the great, levelling craft of political cartooning.

In 1778, Wolfgang Amadeus Mozart leaves Salzburg for Paris. The French capital promises to liberate the 22-year-old from the suffocating grip of his father, and from a city that is unable to accommodate his genius. But there is no grand entrance for the former child prodigy. When Mozart arrives in Paris, he is cash-strapped, unknown and his French is poor. His mentor, the critic Baron von Grimm, introduces him to a number of Parisian nobles. But recognition is hard-won, and at times the French court appears indifferent to Mozart's talents and disapproving of his spontaneity. Tracing the composer’s six-month stay in the city of lights, Mozart in Paris dramatizes the confrontation between a sparkle-eyed genius and mundane reality. Frantz Duchazeau spotlights a frustrating yet formative period of the composer’s life — and in doing so creates a living, breathing portrait of a man whose music, as Einstein famously said, “was so pure that it seemed to have been ever-present in the universe, waiting to be discovered by the master.”

Transported by the power of music to her ancestral home in the old Jewish quarter of Baghdad, the author encounters its ghost-like inhabitants who are revealed as long-gone family members. As she explores the city, journeying through their memories and her imagination, she at first sees successful integration, and cultural and social cohesion. Then the mood turns darker with the fading of this ancient community's fortunes. This beautiful wordless narrative is illuminated by the words and portraits of her family, a brief history of Baghdadi Jews and of the making of this work. Says Isaacs: 'The Finns have a word, kaukokaipuu, which means a feeling of homesickness for a place you've never been to. I've been living in two places all my life; the England I was born in, and the lost world of my Iraqi-Jewish family's roots.' An excerpt of the book was longlisted for the 2018 Myriad First Graphic Novel Competition.