From the world of the best-selling trilogy of books and the hit Netflix show comes a new chapter in the ALTERED CARBON universe! In the future, bodies can be changed like clothes, giving life an entirely new meaning—or lack of meaning. Takeshi Kovacs—once a member of the Envoy Corps, the elite, deadly troops of the Interstellar Earth Protectorate—now finds himself imprisoned . . both in a jail and in an extremely weak body. When he learns that Envoys he served with in a battle he somehow can't remember have been stolen and sold to one of the richest people in the universe, Kovacs vows to rescue them and get revenge. Leaving behind a staggering body count as he blazes across the galaxy, he wonders why he has a hole in his memory . and what secrets that gap holds for understanding his future and himself. ALTERED CARBON writer/creator RICHARD K. MORGAN is joined by writer SCOTT BRYAN WILSON (Batman Annual, Batman: Gotham Nights) and artist MAX FUCHS (Halcyon Days) to deliver the original graphic novel ALTERED CARBON: ONE LIFE, ONE DEATH, a violent, galaxy-spanning adventure of prison breaks, political intrigue, and sinister machinations.

Billy Butcher and the Boys continue their task of eliminating all superheroes, with Wee Hughie discovering the explosive truth behind Butcher's plan of vengeance.

"Collects issues one through six of The Boys: Highland Laddie and thirty-nine through fourty-seven of The Boys published by Dynamite."--Indicia.

"Contains material originally published in magazine form as The Boys #15-30"--Indicia.

Anxiety and longing suffuse incisive portraits of postwar Japan. Nazuna Saito began making comics late. She was in her forties when she submitted a story to a major Japanese publishing house and won an award for newcomers. She continued to work through the 1990s, until she stopped drawing to take care of her ailing parents. In her sixties, she took a job teaching drawing at Kyoto Seika University and became inspired by her talented students. When she returned to teaching, her storytelling interests had shifted. Before suffering a stroke, she drew In Captivity (2012) and Solitary Death Building (2015) both focused on aging and death. Offshore Lightning collects Saito s early work as well as these two recent graphic novellas. Stories like Buy Dog Food and Go Home and Offshore Lightning focus on middle-aged men caught in a cycle of self-pity and self-reflection. Saito gently pokes fun at their anguish and self-involvement while capturing the pathos of these men as they revisit childhood friendships and lost loves. By contrast, In Captivity follows three siblings visiting their ailing mother, who is succumbing to dementia and resentful at her loss of agency. The siblings take a drive as they reckon with balancing the painful legacy of her caustic personality with attempting to honour this woman at the end of her life. Solitary Death Building documents an eccentric cast of elderly gossips as death descends upon the housing complex where they live.

Unvarnished. Punk. The New York Times. King-Cat Classix collects material from the first fifty issues of John Porcellino s King-Cat Comics as they appeared in self-published, handmade zines throughout the 1990s. These strips span Porcellino s dynamic evolution from saturated, punk drawings to his characteristic refined minimalism, revealing his work as nothing short of a catalyst that has inspired artists like Chris Ware in the emerging literary comics scene. In the inky drawings featuring beloved pets, awkward teenage one-night-stands, and everyday blunders, we see a nascent style steeped in truth and transparency one that continues to ring true today. Porcellino s mind is spread out on the page, with an uninhibited id running wildly about dreams and sexual fantasies, not unlike the gritty, stabbing pen strokes of Julie Doucet. He sketches fragmented moments and glimpses of interaction that seem to reflect the very manner in which we process memory: we are made up of a stream of consciousness, captured in fleeting mental images, and Porcellino externalizes that messy internal reality. Follow along the path of Porcellino s dynamic evolution and relish in the inspirational power of this groundbreaking collection.

The essential early work by the modern master of Japanese literary comics Yoshiharu Tsuge is one of the most influential and acclaimed practitioners of literary comics in Japan. the Swamp collects work from his early years, showing a major talent coming into his own. Bucking the tradition of mystery and adventure stories, Tsuges fiction focused on the lives of the citizens of Japan. these mesmerizing comics, like those of his contemporary Yoshihiro Tatsumi, reveal a gritty, at times desperate postwar Japan, while displaying Tsuges unique sense of humor and point of view. Chirpy is a simple domestic drama about expectations, fidelity, and escape. A couple purchase a beautiful white bird with a red beak. It is said that the bird will grow attached to its owners and never fly away. While the girlfriend is working as a hostess, flirting with men for money, the boyfriend decides to draw a portrait of the new family member, and disaster strikes. In the Swamp, a simple rural encounter is charged with sexual tension that is alluring but also fraught with danger. When a young woman happens upon a wing-shot goose, she tries to calm it then suddenly snaps its neck. Later, she befriends a young hunter and offers him shelter, but her motivations remain unclear, especially when the hunter notices a snake in the room where theyll both be sleeping. the Swamp is a landmark in English manga-publishing history and the first in a series of Tsuge books Drawn & Quarterly will be publishing.

Sometimes I dream about myself and in my dream I m someone else But also, I am me becoming the horse that I want to be. Was it always like this? What if your self portrait was a collection of weird shapes? Have you ever felt like an abstract painting? Do you ever simultaneously wish and worry that the boundaries of your body will melt away and you ll become a magnificent horse? Becoming Horses is a book about squinting hard and looking from the right angle to find that everything around you sparkles just a little and the shapes of things are not firm but fuzzy. The You you know may shift and take form as a beautiful horse, a sunset, or something so special, so huge that you could never describe it.