Growing up in Haines Junction, YT, artist Cole Pauls performed in a traditional song and dance group called the Dakwäkãda Dancers. During that time, Pauls encountered the ancestral language of Southern Tutchone. Driven by a desire to help revitalize the language, he created Dakwäkãda Warriors, a bilingualcomic about two earth protectors saving the world from evil pioneers and cyborg sasquatches. Pauls’ Elders supported him throughout the creation process by offering consultation and translation. The resulting work is a whimsical young adult graphic novel that offers an accessible allegory of colonialism.

“This beautifully woven series of vignettes from the brilliant Aimee De Jongh are a necessary and poignant reminder of our common humanity.” —Joe Sacco “One of the great young cartoonists in the world.” —Comic Book Resources Aimée de Jongh, one of the brightest new talents in Europe, creates her first autobiographic work, focusing on taxi rides from four cities: Los Angeles, Paris, Jakarta, and Washington, DC. Despite the stunning and detailed streetscapes she passes, de Jongh discovers she’s more interested in the cab drivers than the view from the backseat. As the drivers slowly open up about their personal lives, de Jongh does too—even when it means challenging her own ideas and prejudices. Through these vulnerable—and often humorous—moments, de Jongh finds common ground with the people driving her. Taxi is an ode to taxi drivers everywhere. Aimée de Jongh is a Dutch graphic novel author, animator, and illustrator. After creating comics for a daily newspaper for nearly five years, she left in 2017 to make graphic novels full time. Her debut, The Return of the Honey Buzzard, won the Prix St Michel and was adapted to a live-action film. Her second book, Blossoms in Autumn, written by the acclaimed Belgian writer Zidrou, was awarded the Prix Atomium. She works and lives in Rotterdam, The Netherlands.

Set in a generic Fredericton suburb called Skyline Acres, this is the fictional biography of Martin Peters, a teenager with type one diabetes. The story revolves around Martin’s relationship with his on-againoff-again high school girlfriend, and how, desperate to fit in, he begins neglecting his health. His condition deteriorates until, eventually, he finds himself fighting for his life in the hospital. But how much of the story is true?

It's a Man's World was first released in 2003 to critical acclaim and was featured on the cover of the Los Angeles Times Book Review and in the New York Times. This rich collection, filled with interviews, essays, and color reproductions of testosterone-heavy thirty-five-cent magazines with names like Man's Exploits, Rage, and Escape to Adventure (to name a few), illustrates the culture created to help veterans confront the confusion of jobs, girls, and the Cold War on their return from World War II and the Korean War. Contributions from the original men's magazine talent like Bruce Jay Friedman, Mario Puzo, and Mort Künstler bring the reader inside the offices, showing us how the writers, illustrators, editors, and publishers put together decades of what were then called "armpit slicks." Reproductions of original paintings from Norman Saunders, Künstler, and Norm Eastman are featured within, and Bill Devine's annotated checklist of the many thousands of adventure magazines is essential for collectors of the genre. The expanded paperback edition includes wartime illustrations and advertisements from mass-produced magazines that preview the xenophobia and racist ideas later seen throughout men's adventure magazines of the '50s and '60s.