From Disney Adventures and its Gen-X sister magazines come tales of epic thrills and chills! Darkwing, Gosalyn, and the gang are back in more classic tales from Disney Adventures magazine and around the world! In "Marinated Mystery," St. Canard gets hexed by hypnotic haute cuisine... and Launchpad unleashes a recipe for disaster! Then Chip, Dale, and Gadget Hackwrench face Scottish scares in "The Ghastly Goat of Quiver Moor"... and Darkwing meets wild heroic wannabes in "Super-Union Blues"! Plus DuckTales, Goof Troop, Gummi Bears, and more!

Sick of the snow, Donald trades his house for an airplane so he and the boys can winter in the tropics. But fate intervenes, and they find themselves flying a crucial supply of penicillin to the stricken community of Point Marrow, Alaska. Meanwhile, some shady characters decide to use Donald's rescue mission as cover to steal an old-timer's secret gold stash -- kidnapping Donald along the way! Escaping from their clutches, a freezing Donald, lost in the vast empty wastes of the far, far north encounters an angry polar bear who chases him off a cliff -- and then things really start to go wrong! Next, Donald suffers a bonk on the head that turns him into a scientific genius. His first invention: duckmite, an explosive so powerful that he uses it to propel a rocket to the moon. Then, Donald accidentally gives the boys a rare dime worth $500. But how to get it back? As we circle back to Carl Barks's earlier stories, the Good Duck Artist delivers another superb collection of surprise, delight, comedy, adventure, and all-around cartooning brilliance. Eighteen stories in all in more than 200 pages of story and art, each meticulously restored and newly colored. Plus, insightful story notes by an international panel of Barks experts.

This season's Carl Barks Library slipcased gift box set collects two of our earlier volumes in this popular series: Walt Disney's Donald Duck: "Balloonatics" (A looney balloon, a space saboteur, and the start of a new Woodchucks series!) and Walt Disney's Donald Duck: "Duck Luck" (Icebergs at sea, Gyro's telescope, and captured by cavemen!). Over 400 pages in two volumes snugged into a sturdy slipcase at a special price that even Uncle Scrooge couldn't resist!

Caravaggio: The Palette and the Sword Volume 1 is the first half of Milo Manara''s two-volume epic biography of the hot-tempered Italian master painter. It depicts Caravaggio''s early years in Rome as he struggles to capture truth on canvas, only to have his art condemned to be burned by the Church. He then is forced to flee the city when he kills a man in righteous fury over the death of a prostitute. The two volumes of Caravaggio mark the return of Manara to U.S. readers and the debut of Fantagraphics'' new series, The Milo Manara Signature Edition, featuring affordable paperbacks of maestro Manara''s internationally acclaimed work. (Volume 2 will follow in Spring 2025.) Discover the bawdy, swashbuckling life of one of the greatest painters in history through Manara''s passionate, personal tribute to his artistic idol, Michelangelo Merisi, whom the world would come to know as Caravaggio.

How did Peg Leg Pete become Mickey's arch-enemy? Sail into the past aboard that infamous riverboat Steamboat Willie... and see how a standoff between Mickey, Pete, and jewel thief Jeb Fishbone sank the ship-and lost Mouseton's biggest gem in the roaring rapids! Can Mickey and Pete raise Steamboat Willie today? Or will they destroy each other trying? The adventures continue as Donald and Gyro Gearloose battle their brassy new neighbor, one-duck disaster area Boomer Buff, in “The Case of the Amazing Brain.” And then Mickey is back for round two—and maybe three?—when a “Mouse in the Mirror” turns real, and Mickey faces off with Ricky Rodent, an evil twin who’s also a better detective!

In 1969, a feisty new comics magazine emerged to rival the popular horror magazines Creepy and Eerie: Web of Horror. Conceived by a plucky, independent publisher, Web of Horror showcased instant classics of horror and science fiction by such rising stars of comic art as Bernie Wrightson, Michael Kaluta, Bruce Jones, Ralph Reese, Frank Brunner, Roger Brand, and Wayne Howard, as well as seasoned veterans such as Syd Shores and Norman Nodel, illustrating stories written by Otto Binder, Nicola Cuti, and others. Now, over 50 years later, Fantagraphics presents the complete Web of Horror in one expertly edited and designed volume. In addition to all three published issues, this collection includes over a dozen stories intended for subsequent issues that have been rarely or never-before published, several long thought to be lost and recently unearthed. Among these ''lost'' stories is Wrightson''s ''The Monster Jar,'' lovingly restored by Frederic Manzano. The Complete Web Of Horror also features a wealth of historical and contextual essays, including the Foreword by original Web of Horror editor and science fiction novelist Terry Bisson; an account of the magazine''s origin by the late Clark Dimond; the history of the magazine''s rise and baffling demise by collection editor Dana Marie Andra; reminiscences by fanzine publishers Robert Lewis and Robert Gerson; and an Afterword by Richard J. Arndt.

''If an exorcism can ever be slow and quiet, then every panel I''ve finished has felt something like an exorcism. The gutters give me space to make sense of things: to connect dots and close gaps. To remember.'' Kayla E.''s Precious Rubbish is an experimental graphic memoir drawn in a style that references the aesthetics of mid-century children''s comics and tells the story of a childhood shaped by maternal emotional dysregulation, rural poverty, and incest. The author''s childhood is portrayed as a collection of short-form comics and gag panels punctuated by interactive elements like paper dolls, satirical advertisements, games, and puzzles. While the work is concerned with violence and a particularly Texan brand of Pentecostal fanaticism, it is presented in a playful visual language with a deadpan humour that elevates the material beyond mere graphic memoir. Precious Rubbish is a landmark work of comics storytelling and graphic medicine. The debut graphic novel from artist Kayla E., Precious Rubbish asks the reader to do the extratextual work of filling out narrative gaps, which mirrors the challenge of trauma recollection. The reader is invited to co-labour in the meaning-making process, an exercise that facilitates an intimacy (between the author, the subject, and the reader) that is at once horrifying and hilarious.

Adventures Into Terror,Edited by Atlas scholar Dr. Michael J. Vassallo, scanned directly from the published comics, and meticulously restored by Allan Harvey, the first volume of the new Fantagraphics Atlas Library series is an event among comics lovers, collectors, and historians