With her startling humor, it's no surprise that Aminder Dhaliwal's web comic Woman World has a devoted audience of more than 120,000 readers, updated biweekly with each installment earning an average of 25,000 likes. Now, readers everywhere will delight in the print edition as Dhaliwal seamlessly incorporates feminist philosophical concerns into a series of perfectly-paced strips that skewer perceived notions of femininity and contemporary cultural icons. D+Q's edition of Woman World will include new and previously unpublished material. When a birth defect wipes out the planet's entire population of men, Woman World rises out of society's ashes. Dhaliwal's infectiously funny instagram comic follows the rebuilding process, tracking a group of women who have rallied together under the flag of Beyonce's Thighs. Only Grandma remembers the distant past, a civilization of segway-riding mall cops, Blockbusters movie rental shops, and That's What She Said jokes. For the most part, Woman World's residents are focused on their struggles with unrequited love and anxiety, not to mention that whole survival of humanity thing. Woman World is an uproarious and insightful graphic novel from a very talented and funny new voice.

Thousands of South Korean children were adopted around the world in the 1970s and 1980s. More than nine thousand found their new home in Sweden, including the cartoonist Lisa Wool-Rim Sjoblom, who was adopted when she was two years old. Throughout her childhood she struggled to fit into the homogenous Swedish culture and was continually told to suppress the innate desire to know her origins. Be thankful, she was told; surely her life in Sweden was better than it would have been in Korea. Like many adoptees, Sjoblom learned to bury the feeling of abandonment. In Palimpsest, an emotionally charged memoir, Sjoblom s unaddressed feelings about her adoption come to a head when she is pregnant with her first child. When she discovers a document containing the names of her biological parents, she realizes her own history may not match up with the story she s been told her whole life: that she was an orphan without a background. As Sjoblom digs deeper into her own backstory, returning to Korea and the orphanage, she finds that the truth is much more complicated than the story she was told and struggled to believe. The sacred image of adoption as a humanitarian act that gives parents to orphans begins to unravel. Sjoblom s beautiful autumnal tones and clear-line style belie the complicated nature of this graphic memoir s vital central question: Who owns the story of an adoption?

Coyote is a dreamer and a drama queen, brazen and brave, faithful yet fiercely independent. She beats her own drum and sews her own crop tops. A gifted equestrian, she s half dog, half coyote, and all power. With the help of her trusty steed, Red, there s not much that s too big for her to bite off, chew up, and spit out right into your face, if you deserve it. But when Coyote and Red find themselves on the run from a trio of vengeful bad dogs, get clobbered by arrows, and are tragically separated, our protagonist is left fighting for her life and longing for her displaced best friend. Taken in by a wolf clan, Coyote may be wounded, but it s not long before she s back on the open road to track down Red and tackle the dogs who wronged her. An homage to and a lampoon of Westerns like Butch Cassidy and the Sundance Kid, Lisa Hanawalt s Coyote Doggirl is a self-aware, playful subversion of tropes. As our fallible hero attempts to understand the culture of the wolves, we see a journey in understanding and misunderstanding, adopting and co-opting. Uncomfortable at times but nonetheless rewarding and empowering, the story of these flawed, anthropomorphized characters is nothing if not relentlessly hilarious and heartbreakingly human. Told in Hanawalt s technicolor absurdist style, Coyote Doggirl is not just a send-up of the Western genre but a deeply personal story told by an enormously talented cartoonist.

THE FIRST EVER GRAPHIC NOVEL NOMINATED FOR THE MAN BOOKER PRIZE! A NEW YORK TIMES NOTABLE BOOK! ON 20 BEST OF 2018 LISTS INCLUDING THE WASHINGTON POST, NPR, NEWSWEEK, AND THE GUARDIAN! “Sabrina is the intimate story of one man’s suffering, but it also captures the political nihilism of the social-media era—a time when a President can dismiss the murder of a journalist by saying of the perpetrator, “Maybe he did. Maybe he didn’t.”" —DT Max, The New Yorker Conspiracy theories, breakdown, murder: Everything’s gonna be all right—until it isn’t When Sabrina disappears, an airman in the U.S. Air Force is drawn into a web of suppositions, wild theories, and outright lies. He reports to work every night in a bare, sterile fortress that serves as no protection from a situation that threatens the sanity of Teddy, his childhood friend and the boyfriend of the missing woman. Sabrina’s grieving sister, Sandra, struggles to fill her days as she waits in purgatory. After a videotape surfaces, we see devastation through a cinematic lens, as true tragedy is distorted when fringe thinkers and conspiracy theorists begin to interpret events to fit their own narratives. The follow-up to Nick Drnaso’s Beverly, winner of the Los Angeles Times Book Prize, Sabrina depicts a modern world devoid of personal interaction and responsibility, where relationships are stripped of intimacy through glowing computer screens. Presenting an indictment of our modern state, Drnaso contemplates the dangers of a fake-news climate. Timely and articulate, Sabrina leaves you gutted, searching for meaning in the aftermath of disaster.

R. Sikoryak is famous for taking classic comics and mashing them with famous literature as he did in Masterpiece Comics or even using comics to visualize the iTunes Terms and Conditions contract. Now in these uncertain times, cartoonist R. Sikoryak draws upon the power of comics and satire to frame President Trump and his controversial declarations as the words and actions of the most notable villains and antagonists in comic book history. Reimagining the most famous comic covers, Sikoryak transforms Wonder Woman into Nasty Woman; Tubby Tompkins into Trump; Black Panther into the Black Voter; the Fantastic Four into the Hombres Fantasticos and Trump into Magneto fighting the Ex-Men. In perfect Trumpian fashion, The Unquotable Trump will be a 48-page treasury annual needlessly oversized and garishly colored; a throw-back to the past when both Comics and America were Great. This will be the hugest comic, truly a great comic. You won t want to miss this, trust me, you ll see!

Leanne Shapton gives voice to the toys on our shelves in this wry yet tender children’s book Always there to comfort and listen, stuffed animals provide a reassuring presence in many a childhood. With Toys Talking, acclaimed illustrator and author Leanne Shapton explores their inner lives, to reveal that their thoughts and feelings are just as complicated as our own. The concerns of these bunnies, bears, and ducks range from the mundane to the existential, and with each new pairing of character and text, we see a deeper portrait of their pensive, quiet world. Shapton holds a mirror to our own lives, to our insecurities and concerns, by revealing that the objects who comfort us have worries of their own. This book brings Shapton’s gorgeously minimal brushstrokes to a younger audience, and will leave children and parents alike brimming with the beauty and melancholy of self-reflection.

Anouk Ricard's bold and colourful comics of this quirky, grumpy gang of pals are delightfully weird yet thoroughly reaslistic in their honest and hilarious portrayal of friendship. Anna, Froga, Christopher the worm, Ron the cat, and Babu the dog continue their non-adventures with bickering, needling, cajoling, and honest friendship. No white lie goes unexposed, no small embarrassment goes unrevealed, no secret is kept, everyone's foibles are fodder for jokes. Anna and Froga: Completely Babu collects all five volumes of the acclaimed Anna and Froga series into an accessible paperback. Ricard's virbrant world shines with visual puns and deft animal caricatures, making Anna and Froga enjoyable for kids and their parents alike.

Inspired by a 16th-century Zen monk s painting of a hundred demons chasing each other across a long scroll, acclaimed cartoonist Lynda Barry confronts various demons from her life in seventeen full colour vignettes. In Barry s hand, demons are the life moments that haunt you, form you and stay with you: your worst boyfriend; kickball games on a warm summer night; watching your baby brother dance; the smell of various houses in the neighbourhood you grew up in; or the day you realize your childhood is long behind you and you are officially a teenager. As a cartoonist, Lynda Barry has the innate ability to zero in on the essence of truth, a magical quality that has made her book One! Hundred! Demons! an enduring classic of the early 21st century. In the book s intro, however, Barry throws the idea of truth out of the window by asking the reader to decide if fiction can have truth and if autobiography can have a fiction, a hybrid that Barry coins autobiofictionalography. As readers get to know Barry s demons, they realize that the actual truth no longer matters because the universality of Barry s comics, true or untrue reigns supreme.

When a charismatic prophet comes to town, the residents of Moominvalley are easily convinced to follow his doctrine for true happiness. Intrigued by their friends and neighbours lifestyle changes, the impression- able Moomins find themselves attempting to adopt the teachings of their new spiritual leader. But the freer they get, the more miser- able they feel. Moominvalley s state of divine chaos is further complicated by the proph- et s well-intentioned decree to free all of the jail s inmates. Moomin Begins a New Life is an eccentric all-ages adventure from the acclaimed Finnish cartoonist Tove Jansson that explores the appeal of self-transformation and the pursuit of happiness culture is that she addresses serious, often uncomfortable issues uncertainty, heart-break, mortality, natural disasters, our ample human imperfections with great compassion and warmth, never chastising or preaching but instead celebrating the light in life and aiming its generous beam at the dark. Maria Popova, Brainpickings

It's noon on Tuesday in Fake Lake and the smell of the Tire Stack (still smoldering after thirty years) is wafting through the window of the Greasy Spoon Diner. Inside the radio's tuned to YFUK--Fake Lake's own Talk Dirty Radio. Mayor Dundoing is tucking into a rasher of surreal back bacon while perusing the Bottom Feeder's Crassified Ads--there's a used cemetery plot and a fat-bum door knocker for sale, a hide-a-bed has gone missing, and Mistress Grind wishes to reduce someone to a mere nub. The town of Fake Lake is a sludge pit of goings-on and the Bottom Feeder (the local paper) has been kept busy chronicling what amounts to a mild apocalypse--collapsing bridges, a gap in the street that swallows the high school band, an awful bacterial business at the hot springs, and a great blowout at the Fakeola bottling plant. Seeing souls ripe for the picking, Lucifer (ever a prominent presence in Fake Lake) has even taken out a paid advertising supplement--Writhing Bodies Herbal Tea Mix, anyone? Revel in the oddities of Adrian Norvid's large-format drawings with the bizarre and terribly funny Fake Lake. There's a seat for you in the Polished by Bums Tavern and it looks like someone's signed you up for the Midnight Churchyard Dig.

Lisa Hanawalt's debut graphic novel, My Dirty Dumb Eyes, achieved instant and widespread acclaim: reviews in the New York Times and NPR, Best of Year nods from the Washington Post and USA Today, and praise from comedians like Patton Oswalt and Kristen Schaal. Her designs define the look of the wildly popular Netflix animated series Bojack Horseman. Her culinary-focused comics and illustrated essays in Lucky Peach magazine won her a James Beard Award. Now, Hot Dog Taste,collects Hanawalt's devastatingly funny comics, gorgeous art, and screwball lists as she tucks into the pomposities of the foodie subculture. Hanawalt dismantles the notion of breakfast; says goodbye to New York through a street food smorgasbord; shadows chef Wylie Dufresne, samples all-you-can-eat buffets in Vegas; and crafts an eerie comic about being a horse lover yet an avid carnivore.Hot Dog Taste Test explodes with color, hilarity, charm, and, occasionally, reproductive organs. Lush full-spread paintings of birds getting their silly feet all over a kitchen, a fully imagined hot dog show (think Best in Show but with hot dogs), and a holiday feast gone awry are the creamy icing on this imaginative rainbow-colored cake. But Hanawalt's wit and heart extend far beyond gags-her insight- ful musings on popular culture, relationships, and the animal in all of us are as keen and funny as her watercolors are exquisite.

"Quaint, meditative and sometimes dreamy, blankets will take you straight back to your first kiss." --The Guardian Blankets is the story of a young man coming of age and finding the confidence to express his creative voice. Craig Thompson's poignant graphic memoir plays out against the backdrop of a Midwestern winterscape: finely-hewn linework draws together a portrait of small town life, a rigorously fundamentalist Christian childhood, and a lonely, emotionally mixed-up adolescence. Under an engulfing blanket of snow, Craig and Raina fall in love at winter church camp, revealing to one another their struggles with faith and their dreams of escape. Over time though, their personal demons resurface and their relationship falls apart. It's a universal story, and Thompson's vibrant brushstrokes and unique page designs make the familiar heartbreaking all over again. This groundbreaking graphic novel, winner of two Eisner and three Harvey Awards, is an eloquent portrait of adolescent yearning; first love (and first heartache); faith in crisis; and the process of moving beyond all of that. Beautifully rendered in pen and ink, Thompson has created a love story that lasts.