In a delightful, curious game of what comes next, Moomintroll travels through the woods to get home with milk for Moominmamma. A simple trip turns into a colorful adventure as Moomintroll meets Mymble, who has lost her sister, Little My. Along the way, they endure the hijinks of all the charming characters of the Moomin world, including the Fillijonks and Hattifatteners. Will Moomintroll ever make it home safe and sound? A beautiful and boisterous story by internationally acclaimed children's author Tove Jansson, this picture book is sure to tickle the fancies of parents and kids as well as Moomintroll fans everywhere!

The enchanting comic strip that introduced adult readers to the wonderful world of Moomin Tove Jansson is revered around the world as one of the foremost children's authors of the twentieth century for her illustrated chapter books regarding the magical worlds of her creation, the Moomins. The Moomins saw life in many forms but debuted to its biggest audience ever on the pages of the world's largest newspaper, the London Evening News, in 1954. The strip was syndicated in newspapers around the world with millions of readers in forty countries. Moomin Book One is the first volume of Drawn & Quarterly's publishing plan to reprint the entire strip drawn by Jansson before she handed over the reins to her brother Lars in 1960. This is the first time the strip will be published in any form in North America and will deservedly place Jansson among the international cartooning greats of the last century. The Moomins are a tight-knit family-hippo-shaped creatures with easygoing and adventurous outlooks. Jansson's art is pared down and precise, yet able to compose beautiful portraits of ambling creatures in fields of flowers or on rock-strewn beaches that recall Jansson's Nordic roots. The comic strip reached out to adults with its gentle and droll sense of humor. Whimsical but with biting undertones, Jansson's observations of everyday life, including guests who overstay their welcome, modern art, movie stars, and high society, easily caught the attention of an international audience and still resonate today.

A new mother takes us on a tour of Hamil- ton, a Rust Belt city born of the Industrial Revolution and dying a slow death due to globalization. This mother represents the city s next wave of inhabitants the artists and young parents who swarm a run-down area for its affordability, inevitably reshaping the neighborhoods they take over. Creation looks at gentrification from the inside out an artist mother making a home and neighborhood for her family, struggling to find her place amid the exist- ing and emerging communities. While pushing her child s stroller around Hamilton, Nickerson shows us the warehouse filled with open barrels of toxic sludge, the parking lot where the city s homeless population sleeps, and the re- furbished Victorian house (complete with elegant chandeliers) that is now a state- of-the-art yoga studio. Creation presents the city as a living thing a place where many small lives intersect and where death, motherhood, pollution, poverty, and violence are all interconnected. Drawn in evocative watercolor, Cre- ation is unafraid to leave questions open- ended as Nickerson wanders the city and ponders just where the personal and political intersect, and where they ought to intersect.

In The River at Night, Kevin Huizenga delves deep into consciousness. What begins as a simple, distracted conversation between husband and wife, Glenn and Wendy Ganges him reading a library book and her working on her computer becomes an exploration of being and the passage of time. As they head to bed, Wendy exhausted by a fussy editor and Glenn energized by his reading and no small amount of caffeine, the story begins to fracture. The River at Night flashes back, first to satirize the dot-com boom of the late 1990s and then to examine the camaraderie of playing first-person shooter video games with work colleagues. Huizenga shifts focus to suggest ways to fall asleep as Glenn ponders what the passage of time feels like to geologists or productivity gurus. The story explores the simple pleasures of a marriage, like lying awake in bed next to a slumbering lover, along with the less cherished moments of disappointment or inadvertent betrayal of trust. Huizenga uses the cartoon medium like a symphony, establishing rhythms and introducing themes that he returns to, adding and subtracting events and thoughts, stretching and compressing time. A walk to the library becomes a meditation on how we understand time, as Huizenga shows the breadth of the comics medium in surprising ways. The River at Night is a modern formalist masterpiece as empathetic, inventive, and funny as anything ever written.

The Handbook to Lazy Parenting is the bestselling cartoonist Guy Delisle's final tribute to the frequently hilarious and absurd situations that any parent will find themselves in when raising young children--all told with his trademark sarcastic wit. But even as his children grow older, wiser, and less interested in their father's antics, Delisle has no shortage of bad-parenting stories, only now, sometimes the joke is on him! From trying to convince Louis to play video games instead of letting him do his homework, to forgetting Alice in a stationery store after buying a pen, to tricking the kids out of dessert to make up for his own blunder, Delisle tells relatable stories of parenthood, the mistakes we have trouble admitting to, and the impulse that we all sometimes have to give a comically serious answer to a child's comically serious question. With impressive timing and pacing in these lighthearted vignettes, Delisle delivers his gut-wrenchingly funny punch lines in self-deprecating fashion, letting everyone know who is ultimately the butt of the joke. The Handbook to Lazy Parenting will delight parents, of course, but also anyone who has raised or known an inquisitive child and needs some pro tips on being, well, a bad dad!

Yellow Yellow is a charmingly simple story of a child whose playground is a gritty urban cityscape, written by Frank Asch and drawn by Mark Alan Stamaty. With no parent in sight, the boy wanders the sidewalks to find a yellow construction hat that quickly becomes his favorite belonging, earning him many compliments from strangers on nearby stoops. Eventually the boy meets the owner of the hat and must return it, leading the child to make his own yellow hat. Yet the story comes alive via the visual feast of urban oddities that the Who Needs Donuts? cartoonist Stamaty packs in the background of this rediscovered children s classic. As the boy innocently wears his yellow hard hat down city streets, he is oblivious to his surrealist fun-house surroundings filled with fantastical neighbors, such as an old lady on a unicycle and a punk with a head full of fish vacuuming the sidewalk. In scratchy black ink drawings, Stamaty builds a bygone city filled with small storefronts shoe stores, bookshops, delicatessens, and barbershops all packed with detail upon detail. Delightfully grotesque humor lurks in the scenery of Yellow Yellow from page to page, rewarding multiple readings. Stamaty s imagination to fill the space is as limitless as the world was to a young boy in 1970.

With her startling humor, it's no surprise that Aminder Dhaliwal's web comic Woman World has a devoted audience of more than 120,000 readers, updated biweekly with each installment earning an average of 25,000 likes. Now, readers everywhere will delight in the print edition as Dhaliwal seamlessly incorporates feminist philosophical concerns into a series of perfectly-paced strips that skewer perceived notions of femininity and contemporary cultural icons. D+Q's edition of Woman World will include new and previously unpublished material. When a birth defect wipes out the planet's entire population of men, Woman World rises out of society's ashes. Dhaliwal's infectiously funny instagram comic follows the rebuilding process, tracking a group of women who have rallied together under the flag of Beyonce's Thighs. Only Grandma remembers the distant past, a civilization of segway-riding mall cops, Blockbusters movie rental shops, and That's What She Said jokes. For the most part, Woman World's residents are focused on their struggles with unrequited love and anxiety, not to mention that whole survival of humanity thing. Woman World is an uproarious and insightful graphic novel from a very talented and funny new voice.

Thousands of South Korean children were adopted around the world in the 1970s and 1980s. More than nine thousand found their new home in Sweden, including the cartoonist Lisa Wool-Rim Sjoblom, who was adopted when she was two years old. Throughout her childhood she struggled to fit into the homogenous Swedish culture and was continually told to suppress the innate desire to know her origins. Be thankful, she was told; surely her life in Sweden was better than it would have been in Korea. Like many adoptees, Sjoblom learned to bury the feeling of abandonment. In Palimpsest, an emotionally charged memoir, Sjoblom s unaddressed feelings about her adoption come to a head when she is pregnant with her first child. When she discovers a document containing the names of her biological parents, she realizes her own history may not match up with the story she s been told her whole life: that she was an orphan without a background. As Sjoblom digs deeper into her own backstory, returning to Korea and the orphanage, she finds that the truth is much more complicated than the story she was told and struggled to believe. The sacred image of adoption as a humanitarian act that gives parents to orphans begins to unravel. Sjoblom s beautiful autumnal tones and clear-line style belie the complicated nature of this graphic memoir s vital central question: Who owns the story of an adoption?

Coyote is a dreamer and a drama queen, brazen and brave, faithful yet fiercely independent. She beats her own drum and sews her own crop tops. A gifted equestrian, she s half dog, half coyote, and all power. With the help of her trusty steed, Red, there s not much that s too big for her to bite off, chew up, and spit out right into your face, if you deserve it. But when Coyote and Red find themselves on the run from a trio of vengeful bad dogs, get clobbered by arrows, and are tragically separated, our protagonist is left fighting for her life and longing for her displaced best friend. Taken in by a wolf clan, Coyote may be wounded, but it s not long before she s back on the open road to track down Red and tackle the dogs who wronged her. An homage to and a lampoon of Westerns like Butch Cassidy and the Sundance Kid, Lisa Hanawalt s Coyote Doggirl is a self-aware, playful subversion of tropes. As our fallible hero attempts to understand the culture of the wolves, we see a journey in understanding and misunderstanding, adopting and co-opting. Uncomfortable at times but nonetheless rewarding and empowering, the story of these flawed, anthropomorphized characters is nothing if not relentlessly hilarious and heartbreakingly human. Told in Hanawalt s technicolor absurdist style, Coyote Doggirl is not just a send-up of the Western genre but a deeply personal story told by an enormously talented cartoonist.

THE FIRST EVER GRAPHIC NOVEL NOMINATED FOR THE MAN BOOKER PRIZE! A NEW YORK TIMES NOTABLE BOOK! ON 20 BEST OF 2018 LISTS INCLUDING THE WASHINGTON POST, NPR, NEWSWEEK, AND THE GUARDIAN! “Sabrina is the intimate story of one man’s suffering, but it also captures the political nihilism of the social-media era—a time when a President can dismiss the murder of a journalist by saying of the perpetrator, “Maybe he did. Maybe he didn’t.”" —DT Max, The New Yorker Conspiracy theories, breakdown, murder: Everything’s gonna be all right—until it isn’t When Sabrina disappears, an airman in the U.S. Air Force is drawn into a web of suppositions, wild theories, and outright lies. He reports to work every night in a bare, sterile fortress that serves as no protection from a situation that threatens the sanity of Teddy, his childhood friend and the boyfriend of the missing woman. Sabrina’s grieving sister, Sandra, struggles to fill her days as she waits in purgatory. After a videotape surfaces, we see devastation through a cinematic lens, as true tragedy is distorted when fringe thinkers and conspiracy theorists begin to interpret events to fit their own narratives. The follow-up to Nick Drnaso’s Beverly, winner of the Los Angeles Times Book Prize, Sabrina depicts a modern world devoid of personal interaction and responsibility, where relationships are stripped of intimacy through glowing computer screens. Presenting an indictment of our modern state, Drnaso contemplates the dangers of a fake-news climate. Timely and articulate, Sabrina leaves you gutted, searching for meaning in the aftermath of disaster.

R. Sikoryak is famous for taking classic comics and mashing them with famous literature as he did in Masterpiece Comics or even using comics to visualize the iTunes Terms and Conditions contract. Now in these uncertain times, cartoonist R. Sikoryak draws upon the power of comics and satire to frame President Trump and his controversial declarations as the words and actions of the most notable villains and antagonists in comic book history. Reimagining the most famous comic covers, Sikoryak transforms Wonder Woman into Nasty Woman; Tubby Tompkins into Trump; Black Panther into the Black Voter; the Fantastic Four into the Hombres Fantasticos and Trump into Magneto fighting the Ex-Men. In perfect Trumpian fashion, The Unquotable Trump will be a 48-page treasury annual needlessly oversized and garishly colored; a throw-back to the past when both Comics and America were Great. This will be the hugest comic, truly a great comic. You won t want to miss this, trust me, you ll see!

Leanne Shapton gives voice to the toys on our shelves in this wry yet tender children’s book Always there to comfort and listen, stuffed animals provide a reassuring presence in many a childhood. With Toys Talking, acclaimed illustrator and author Leanne Shapton explores their inner lives, to reveal that their thoughts and feelings are just as complicated as our own. The concerns of these bunnies, bears, and ducks range from the mundane to the existential, and with each new pairing of character and text, we see a deeper portrait of their pensive, quiet world. Shapton holds a mirror to our own lives, to our insecurities and concerns, by revealing that the objects who comfort us have worries of their own. This book brings Shapton’s gorgeously minimal brushstrokes to a younger audience, and will leave children and parents alike brimming with the beauty and melancholy of self-reflection.

Anouk Ricard's bold and colourful comics of this quirky, grumpy gang of pals are delightfully weird yet thoroughly reaslistic in their honest and hilarious portrayal of friendship. Anna, Froga, Christopher the worm, Ron the cat, and Babu the dog continue their non-adventures with bickering, needling, cajoling, and honest friendship. No white lie goes unexposed, no small embarrassment goes unrevealed, no secret is kept, everyone's foibles are fodder for jokes. Anna and Froga: Completely Babu collects all five volumes of the acclaimed Anna and Froga series into an accessible paperback. Ricard's virbrant world shines with visual puns and deft animal caricatures, making Anna and Froga enjoyable for kids and their parents alike.

Inspired by a 16th-century Zen monk s painting of a hundred demons chasing each other across a long scroll, acclaimed cartoonist Lynda Barry confronts various demons from her life in seventeen full colour vignettes. In Barry s hand, demons are the life moments that haunt you, form you and stay with you: your worst boyfriend; kickball games on a warm summer night; watching your baby brother dance; the smell of various houses in the neighbourhood you grew up in; or the day you realize your childhood is long behind you and you are officially a teenager. As a cartoonist, Lynda Barry has the innate ability to zero in on the essence of truth, a magical quality that has made her book One! Hundred! Demons! an enduring classic of the early 21st century. In the book s intro, however, Barry throws the idea of truth out of the window by asking the reader to decide if fiction can have truth and if autobiography can have a fiction, a hybrid that Barry coins autobiofictionalography. As readers get to know Barry s demons, they realize that the actual truth no longer matters because the universality of Barry s comics, true or untrue reigns supreme.

When a charismatic prophet comes to town, the residents of Moominvalley are easily convinced to follow his doctrine for true happiness. Intrigued by their friends and neighbours lifestyle changes, the impression- able Moomins find themselves attempting to adopt the teachings of their new spiritual leader. But the freer they get, the more miser- able they feel. Moominvalley s state of divine chaos is further complicated by the proph- et s well-intentioned decree to free all of the jail s inmates. Moomin Begins a New Life is an eccentric all-ages adventure from the acclaimed Finnish cartoonist Tove Jansson that explores the appeal of self-transformation and the pursuit of happiness culture is that she addresses serious, often uncomfortable issues uncertainty, heart-break, mortality, natural disasters, our ample human imperfections with great compassion and warmth, never chastising or preaching but instead celebrating the light in life and aiming its generous beam at the dark. Maria Popova, Brainpickings

It's noon on Tuesday in Fake Lake and the smell of the Tire Stack (still smoldering after thirty years) is wafting through the window of the Greasy Spoon Diner. Inside the radio's tuned to YFUK--Fake Lake's own Talk Dirty Radio. Mayor Dundoing is tucking into a rasher of surreal back bacon while perusing the Bottom Feeder's Crassified Ads--there's a used cemetery plot and a fat-bum door knocker for sale, a hide-a-bed has gone missing, and Mistress Grind wishes to reduce someone to a mere nub. The town of Fake Lake is a sludge pit of goings-on and the Bottom Feeder (the local paper) has been kept busy chronicling what amounts to a mild apocalypse--collapsing bridges, a gap in the street that swallows the high school band, an awful bacterial business at the hot springs, and a great blowout at the Fakeola bottling plant. Seeing souls ripe for the picking, Lucifer (ever a prominent presence in Fake Lake) has even taken out a paid advertising supplement--Writhing Bodies Herbal Tea Mix, anyone? Revel in the oddities of Adrian Norvid's large-format drawings with the bizarre and terribly funny Fake Lake. There's a seat for you in the Polished by Bums Tavern and it looks like someone's signed you up for the Midnight Churchyard Dig.