A visionary artist and an influential teacher, Charles Alston (19071977) helped establish the Works Progress Administration's Harlem Art Workshop and was the first African American to be named a supervisor for the WPA's Federal Art Project. Alston's early studies of African sculpture influenced the appearance of the human figure in all of his work, and his experience as an American of African descent led him to express through his painting "the injustice, the indignity, and the hypocrisy suffered by black citizens." Alston was the first African American instructor at both the Art Students League of New York and the Museum of Modern Art and was a professor of painting at the City University of New York. Determined to assist artists who would follow in his footsteps, he cofounded Spiral, a renowned black artists' alliance.

Edward Goreys off-kilter depictions of Yuletide mayhem and John Updikes wryly jaundiced text examine a dozen Christmas traditions with a decidedly wheezy ho-ho-ho. 1. Santa: The Man. Loose-fitting nylon beard, fake optical twinkle, cheap red suit, funny rummy smell when you sit on his lap. If hes such a big shot, why is he drawing unemployment for eleven months of the year? Something scary and off-key about him, like one of those Stephen King clowns . .

Looks at the countless women who bravely carried the movement toward securing civil rights for all African Americans.

Illuminates the fascinating and inspiring life of Keller, with 42 exceptional color and black-white-images.