An enthralling collection of nonfiction essays on a myriad of topics—from art and artists to dreams, myths, and memories—observed in #1 New York Times bestselling author Neil Gaiman’s probing, amusing, and distinctive style. An inquisitive observer, thoughtful commentator, and assiduous craftsman, Neil Gaiman has long been celebrated for the sharp intellect and startling imagination that informs his bestselling fiction. Now, The View from the Cheap Seats brings together for the first time ever more than sixty pieces of his outstanding nonfiction. Analytical yet playful, erudite yet accessible, this cornucopia explores a broad range of interests and topics, including (but not limited to): authors past and present; music; storytelling; comics; bookshops; travel; fairy tales; America; inspiration; libraries; ghosts; and the title piece, at turns touching and self-deprecating, which recounts the author’s experiences at the 2010 Academy Awards in Hollywood. Insightful, incisive, witty, and wise, The View from the Cheap Seats explores the issues and subjects that matter most to Neil Gaiman—offering a glimpse into the head and heart of one of the most acclaimed, beloved, and influential artists of our time.

Three years ago an event destroyed the small city of Poughkeepsie, forever changing reality within its borders. Uncanny manifestations and lethal dangers now await anyone who enters the Spill Zone. The Spill claimed Addison's parents and scarred her little sister, Lexa, who hasn't spoken since. Addison provides for her sister by photographing the Zone's twisted attractions on illicit midnight rides. Art collectors pay top dollar for these bizarre images, but getting close enough for the perfect shot can mean death--or worse. When an eccentric collector makes a million-dollar offer, Addison breaks her own hard-learned rules of survival and ventures farther than she has ever dared. Within the Spill Zone, Hell awaits--and it seems to be calling Addison's name.

A a solitary figure has telepathic encounters with a demonic aviatrix, a wandering crystalline being, a flaming sword-wielding warrior, and a mysterious sorceress, all within the confines of his own apartment. Haven’s work is dark, absurdist, and deadpan, reflecting the apocalyptic undercurrent of modern times. His inky, rubbery drawings buttress his black humor.

A collection of murder ballads — some of which have been covered by modern masters like Nick Cave, Steve Earle, and Gillian Welch — that have been adapted into ruthless graphic narratives.

In this graphic novel, a hitman travels back in time tokill Adolf Hitler in 1939... but things go spectacularly wrong.

A true visionary, with a fluid line and an uncanny sense of color and composition, Pazienza’s innovative graphic style served up stories that were iconoclastic, outrageous, humorous, and deeply personal, often based on himself and his microcosm of friends and collaborators. Pazienza was a revolutionary cartoonist who ushered an underground sensibility to Italian and European comics, breaking from the more staid tradition of genteel adult (and children’s) graphic albums.

This book includes all of the cartoonist's work from Zap Comix #12 through #15; stories published in the horror anthology Taboo; the three appearances of his outrageous, race-bending character Meadows from Weirdo; illustrations for Grimm and Andersen fairy tales; as well as book jackets and album covers. Plus, dozens of privately commissioned paintings, including the Seven Deadly Sins (Just Say Yes!) and inner landscapes peopled with pirates, ogres, leprechauns, Cyclops, the Baby Jesus, and his favorites players, Captain Pissgums, Star-Eyed Stella, and the Checkered Demon. It also includes an even score of remarkably rendered paintings, both unpublished and virtually unseen, that he created between the 2006 publication of The Art of S. Clay Wilson and The Night the Lights Went Out in 2008, when Wilson’s career spiraled out of control. Full-color illustrations throughout.