Features a collection of complete strips from the series' third and fourth years, a time during which George and Martha Wilson were introduced and periodically revisited by the irrepressible rascal Dennis. All ages.

A debut work by a regular contributor to MOME is presented as a visual diary in the voice of an unnamed narrator who regards himself as a genius, makes deprecating observations about his twin and younger sibling, and intentionally misrepresents key aspects of his life behind a pseudo-intellectual persona. Original.

The third and last installment of New Tales of Old Palomar, in whichGilbert Hernandez returns to some of his best-loved characters, focuses on thegorgeous but troubled Tonantzn. Everybody in Palomar seems to take thesupernatural with a grain of salt, but young Tonantzn is determined touncover the mystery of the laughing baby that only appears to her, haunting herdaily life. What is the baby's link to the giant stone idols that stand outsidethe small town...?

Sorry, no more pirates in this issue. The third and final installment ofMarco Corona's haunting mini-series (the first Ignatz to conclude its limitedrun) returns to the settings of the first (a seaside town, a castle, an oldlady's apartment), but now also in lush duotone, as a reflective Miranda flashesback to her life as a child and as an adolescent, with memories, dreams, and theharsh reality of unfeeling parents, a sickly brother, and a violent episode ofher youth contrasting with her visions of a shimmeringly beautiful castle.Reflections is a haunting, masterful graphic novel that rewards multiplereadings — and of course, presented in the lushly deluxe, jacketed"Ignatz" format.

An anthology of scratchboard-drawing works includes "The Bathroom," in which a couple discovers a mysterious tunnel in their poolhouse after a neighbor's child drowns in their pool, and "The Needle," in which two sisters suffer a grandmother's death and possible resurrection. A first graphic novel. Original.