An alternate steampunk history where ghosts and demons haunt the streets of Boston while a detective, a spirit photographer, and one of the world's most brilliant scientists work together to keep the citizens safe from supernatural threats. The year is 1895. Imagine an alternate Steampunk history where ghosts and demons are a normal part of life. Families known as “Great Houses” control the economy of the Great States of America and the middle - and lower - class Irish’s sole purpose is not to only serve them, but to rid their lives of supernatural beings. This is the story of an ex - Pinkerton detective, a spirit photographer, and a genius scientist who work together to battle these supernatural forces. They are the Boston Metaphysical Society. Wish them luck. They are going to need it.

During the summer of 2002, Seth Tobocman taught art to small children in a village just outside of Ramallah, Palestine. Upon returning to America he was faced with the difficult prospect of explaining to his parents, life-long Zionists, just what he was doing in Palestine. To help initiate the conversation he collected twenty pages from his sketchbook of the trip and sent it to them. The drawings created a starting point from which they could talk about their differing political and religious beliefs concerning the Middle East. Portraits for my Parents, a collection of charcoal drawings with simple captions such as "This is a modern man", "These are Palestinians", "These are Israelis" strips away the historical, religious and political complications surrounding the situation in the Middle East. He takes no sides, simply depicting the faces, clothes, and postures of the inhabitants of this contested land. In sharing these private drawings, he allows us all to participate in the dialogue he had with his parents. How can we stop killing each other? How can we learn to recognize each other’s humanity?

Throughout the fifties, Los Angeles-based Charles Brittin (*1928) was the unofficial house photographer for the beatniks who coalesced around the artist Wallace Berman. Brittin had settled in Venice Beach in 1951, and his tiny shack on the beach became a hangout for the creative circle around Berman, which included actor Dean Stockwell, artist John Altoon, curator Walter Hopps, and poet David Meltzer, among many others. Brittin's photographs of this time and place evoke a period of tremendous upheaval and creativity in America, when avant-garde culture was largely underground and its protagonists were almost completely shut out of mainstream culture. In the early sixties, the focus of Brittin's life shifted dramatically when he became involved in the antiwar movement, and by the end of the decade he was devoting most of his time to the Black Panther Party. These two very different social revolutions are at the heart of Charles Brittin: West & South.

FILLER BUNNY 2 REVENGE OF THE FILLER BUNNY (Softcover).

IGOR FIXED BY FRANKENSTEINS (Softcover).

Don't Call it a Comeback is an anthology comic book celebrating 40 years of SLG Publishing, America's Coolest Comic Book Publisher.Featuring work byFEATURINGJhonen Vasquez - Crab Scrambly - Andy Ristaino - Ben Towle James Turner - Aaron Alexovich - Drew Rausch Phil HesterJef Bambas - Stephen Coughlin - Andi Watson Stephen Emond Ken Knudsen - Ariel Schrag - Dave Roman Scott SaavedraJustin Sane - John HagemanChristopher Higginson -Jamie Smart - Andy Garcia