When eccentric photographer Stefani DePino comes to Thompson Brook to take school pictures in the midst of an acne epidemic, Lunch Lady, Betty and the Breakfast Bunch learn that Stefani may have an underhanded plan to break into the world of high fashion that puts the students in danger. Simultaneous.

Not since Brian Froud’s conceptual design work with Jim Henson on the classic films The Dark Crystal and Labyrinth has he created a faerie world with such imagination, dimension, depth, and detail. Trolls features new and classic work by both Brian and his wife, Wendy, woven together along with artifacts and symbols of the natural world to create a fascinating revelation about the world of trolls. The book explores trolls and troll culture, revealing their philosophies, their home life, and their world attitudes through their tales, mythology, and archaeology. Trolls affirms that trolls are real, that they have lived and are living now. The texture of the world and the deeply immersive, cinematic images will appeal to the legions of fantasy—and Froud—fans.

Tiddles is a suave, carefree kitty cat whose only pleasures in life are eating mice, wooing the ladies, and being generally apathetic toward his owner, Jake. But when a toxic spill occurs outside of town, Tiddles finds himself savagely attacked by a nasty-looking radioactive field mouse, and he wakes up as one of the undead. However, he still retains a bit of compassion and refrains—for now—from zombie Bacchanalian delights, such as eating living beings’ brains! Umm . . any brains at all! However, Tiddles, a.k.a. Zombie Cat, is decomposing rapidly and would prefer to live a normal life in the zombie apocalypse with his owner, Jake. But will Jake take in his former cuddly pet or will ZC be doomed to roam the streets trying to avoid the inevitable pull of his undead yearnings? Zombie Cat is a humorous adult picture book in the vein of Pat the Zombie and Ten Little Zombies: A Love Story. Isabel Atherton’s quirky storytelling combined with Bethany Straker’s captivating (and slightly grotesque!) illustrations make this the perfect addition to any Halloween collection. It’s the ideal gift for any crazed zombie fanatic—or equally crazed cat lover.

Crockett Johnson and Ruth Krauss were a husband-and-wife team that created such popular children's books as The Carrot Seed and How to Make an Earthquake. Their style - whimsical writing, clear and minimalist drawing, and a child's point-of-view - is among the most revered and influential in children's literature. This critical biography examines their lives and careers. Crockett Johnson (born David Johnson Leisk, 1906-1975) and Ruth Krauss (1901-1993) were a husband-and-wife team that created such popular children's books as The Carrot Seed and How to Make an Earthquake. Separately, Johnson created the enduring children's classic Harold and the Purple Crayon and the groundbreaking comic strip Barnaby. Krauss wrote over a dozen children's books illustrated by others, and pioneered the use of spontaneous, loose-tongued kids in children's literature. Together, Johnson and Krauss's style--whimsical writing, clear and minimalist drawing, and a child's point-of-view--is among the most revered and influential in children's literature and cartooning, inspiring the work of Maurice Sendak, Charles M. Schulz, Chris Van Allsburg, and Jon Scieszka. This critical biography examines their lives and careers, including their separate achievements when not collaborating. Using correspondence, sketches, contemporary newspaper and magazine accounts, archived and personal interviews, author Philip Nel draws a compelling portrait of a couple whose output encompassed children's literature, comics, graphic design, and the fine arts. Their mentorship of now-famous illustrator Maurice Sendak ( Where the Wild Things Are) is examined at length, as is the couple's appeal to adult contemporaries such as Duke Ellington and Dorothy Parker. Defiantly leftist in an era of McCarthyism and Cold War paranoia, Johnson and Krauss risked collaborations that often contained subtly rendered liberal themes. Indeed, they were under FBI surveillance for years. Their legacy of considerable success invites readers to dream and to imagine, drawing paths that take them anywhere they want to go.

Crockett Johnson and Ruth Krauss were a husband-and-wife team that created such popular children's books as The Carrot Seed and How to Make an Earthquake. Their style - whimsical writing, clear and minimalist drawing, and a child's point-of-view - is among the most revered and influential in children's literature. This critical biography examines their lives and careers. Crockett Johnson (born David Johnson Leisk, 1906-1975) and Ruth Krauss (1901-1993) were a husband-and-wife team that created such popular children's books as The Carrot Seed and How to Make an Earthquake. Separately, Johnson created the enduring children's classic Harold and the Purple Crayon and the groundbreaking comic strip Barnaby. Krauss wrote over a dozen children's books illustrated by others, and pioneered the use of spontaneous, loose-tongued kids in children's literature. Together, Johnson and Krauss's style--whimsical writing, clear and minimalist drawing, and a child's point-of-view--is among the most revered and influential in children's literature and cartooning, inspiring the work of Maurice Sendak, Charles M. Schulz, Chris Van Allsburg, and Jon Scieszka. This critical biography examines their lives and careers, including their separate achievements when not collaborating. Using correspondence, sketches, contemporary newspaper and magazine accounts, archived and personal interviews, author Philip Nel draws a compelling portrait of a couple whose output encompassed children's literature, comics, graphic design, and the fine arts. Their mentorship of now-famous illustrator Maurice Sendak ( Where the Wild Things Are) is examined at length, as is the couple's appeal to adult contemporaries such as Duke Ellington and Dorothy Parker. Defiantly leftist in an era of McCarthyism and Cold War paranoia, Johnson and Krauss risked collaborations that often contained subtly rendered liberal themes. Indeed, they were under FBI surveillance for years. Their legacy of considerable success invites readers to dream and to imagine, drawing paths that take them anywhere they want to go.

"One of the best things going in auto-bio inflected comics these days." -- Art Spiegelman, Maus "The Voyeurs is the work of a mature writer, if not one of the most sincere voices of her literary generation. It's a fun, honest read that spans continents, relationships and life decisions. I loved it."--Chris Ware, Acme Novelty Library "As she watches other people living life, and watches herself watching them, Bell's pen becomes a kind of laser, first illuminating the surface distractions of the world, then scorching them away to reveal a deeper reality that is almost too painful and too beautiful to bear."-- Alison Bechdel, Fun Home "A master of the exquisite detail, Bell provides a welcome peephole into our lives."--Francoise Mouly, The New Yorker "I don't think I could tolerate her if she wasn't so talented."--Michel Gondry, Eternal Sunshine of the Spotless Mind The Voyeurs is a real-time memoir of a turbulent five years in the life of renowned cartoonist, diarist, and filmmaker Gabrielle Bell. It collects episodes from her award-winning series Lucky, in which she travels to Tokyo, Paris, the South of France, and all over the United States, but remains anchored by her beloved Brooklyn, where sidekick Tony provides ongoing insight, offbeat humor, and enduring friendship. Gabrielle Bell's work has been selected for the 2007, 2009, 2010, and 2011 Houghton-Mifflin Best American Comics and the Yale Anthology of Graphic Fiction, and has been featured in McSweeney's, The Believer, and Vice magazines. "Cecil and Jordan In New York," the title story of her most recent book, was adapted for the screen by Bell and director Michel Gondry in the film anthology Tokyo! She lives in Brooklyn, New York.

Geoffrey Hayes’ loveable mice are about to find out just how many adventures can be packed in before bedtime. It's nearly time for lights out but Benny just won't settle down. His sister Penny is becoming very annoyed as she tries to quietly read her storybook. Her restless big brother Benny is too distracted to care as he is concerned that the moon has apparently gone missing. Later there's a new flashlight to play with and to top it off Benny realises he has left his favourite pirate hat in the dark and spooky playhouse in the backyard! This sweetly illustrated comic book story will encourage young readers to gain confidence with its simple, relatable narrative.