Some of the world's best manga creators join together to bring the world of Warcraft to life as never before. Between these covers lie tales of adventure, treachery, humor and bravery. Told from both Alliance and Horde point of view, these stories have entertained the likes of travelers, soldiers and thieves. They have endured the trials of time and have earned the title of legend.

Darrick Lang is coming home. Years ago he left the town of Bramwell to walk the wide world as a soldier of fortune and champion of the realm. But Bramwell is not as he left it. Something dark and terrifying has ensnared the townsfolk, something very old and very patient, tangling innocents in a web of malice and profaning the very earth itself. Now that same power calls to Darrick and his only hope may be to walk the same perilous path of damnation.

Middle school is a breeding ground for mischief and dreaming big for Big Nate and his pals! NEW YORK TIMES BESTSELLING AUTHOR! Everyone’s favorite sixth grader is back for more misadventures, and Big Nate: Silent But Deadly smells like a winner! Whether he’s showing the ropes to a detention rookie, campaigning for the Student of the Month Award, or writing hilarious movie reviews for The Weekly Bugle, Nate Wright never fails to make his mark at P.S. 38. But middle school’s no bed of roses. In fact, sometimes it just plain stinks. Just ask the Great Nose-ini! Nate’s alter ego with a sense for scents can smell trouble a mile away . . or at the very next desk. Was that you, Gina? Join Nate and the gang for nonstop laughs in this latest collection of Big Nate comics!

"A pink, bubble-gum bonbon of a tale spun of a likable fourth-grader and her magical, self-obsessed, unicorn." — Kirkus Reviews "A pink, bubble-gum bonbon of a tale spun of a likable, albeit self-centered, fourth-grader and her magical, self-obsessed, although sometimes-kind, unicorn." — Kirkus Reviews Book seven in the Phoebe and Her Unicorn series! NEW YORK TIMES BESTSELLING AUTHOR! Phoebe and Her Unicorn is the story of an unlikely friendship. Phoebe is a precocious child and Marigold is an arrogant unicorn, but their paths happily cross in the woods one day, and nothing will ever be the same again. This is a comic about childhood, friendship, magic, and humor. In this installment, Phoebe decides to start the school year off right by offering a peace treaty to frenemy Dakota, Marigold Heavenly Nostrils becomes the unlikeliest of babysitters, and Phoebe is totally surprised to find out that her Secret Santa isn't Dakota or Max!

NEW YORK TIMES BESTSELLING AUTHOR! At its heart, Pearls Before Swine is the comic strip tale of two friends: an arrogant Rat who thinks he knows it all and a slow-witted Pig who doesn't know any better. Together, this pair offers caustic commentary on humanity's quest for the unattainable. Dilbert cartoonist Scott Adams says that Pearls is one of the few comics that make me laugh out loud.

As the creator of Tintin, Hergé (1907-1983) remains one of the most important and influential figures in the history of comics. When Hergé, born Georges Prosper Remi in Belgium, emerged from the controversy surrounding his actions after World War II, his most famous work leapt to international fame and set the standard for European comics. While his style popularized what became known as the ""clear line"" in cartooning, this edited volume shows how his life and art turned out much more complicated than his method. The book opens with Hergé's aesthetic techniques, including analyses of his efforts to comprehend and represent absence and the rhythm of mundaneness between panels of action. Broad views of his career describe how Hergé navigated changing ideas of air travel, while precise accounts of his life during Nazi occupation explain how the demands of the occupied press transformed his understanding of what a comics page could do. The next section considers a subject with which Hergé was himself consumed: the fraught lines between high and low art. By reading the late masterpieces of the Tintin series, these chapters situate his artistic legacy. A final section considers how the clear line style has been reinterpreted around the world, from contemporary Francophone writers to a Chinese American cartoonist and on to Turkey, where Tintin has been reinvented into something meaningful to an audience Hergé probably never anticipated. Despite the attention already devoted to Hergé, no multi-author critical treatment of his work exists in English, the majority of the scholarship being in French. With contributors from five continents drawing on a variety of critical methods, this volume's range will shape the study of Hergé for many years to come.