by Steve Brodner A superlative craftsman as a caricaturist and a no-holds-barred satirist, Steve Brodner is a familiar and beloved contributor to The New Yorker, Rolling Stone, The Atlantic, Harper's, The New York Times, and every other magazine that counts. Freedom Fries is Brodner's absurdly nightmarish journey through the last 30 years of American politics. What a cast of characters - Nixon, Ford, Carter, Reagan, Bush I, Clinton, Bush II. And those are just the presidents!

by Carol Swain Foodboy is about loss and hope, friendship, and faith, bonds that are tested when the paths of two boyhood friends diverge. Gareth (the Foodboy of the title) and Ross live in the small Welsh village of Llanparc. The attempt of a visiting troupe of Evangelists to convert the sends Ross into wilderness. Gareth remains loyal to his friend, leaving food out for him, even when it becomes apparent that Ross is becoming increasingly feral. Foodboy is drawn in Swain's trademark style of exquisite panel compositions. SC, 7x10, 80pg, b&w

Using colored illustrations and text, the story of Mighty Mite and his search for a home unfolds on the the right-hand pages of this small book, while the left-hand pages feature black and white illustrations and no text to tell the story of a solitary ape.e.

Kristine McKenna's work as a journalist began in the late 1970s, when she covered the Los Angeles punk scene for various domestic and international publications. During the '80s and '90s she wrote art, film and music criticism, and profiled directors, musicians and visual artists for a variety of publications including Artforum, Playboy, Rolling Stone, The Los Angeles Times and New York Rocker.Talk to Her is McKenna's second collection (the first was 1999's Book of Changes) of favorite interviews culled from McKenna's files, and the book reveal's McKenna's highly intimate technique as an interviewer. That she manages to get such candor out of her subjects is remarkable.The stunning list of interview subjects includes: Filmmaker Robert Altman; Jackie Onassis's cousin Edie Beale; punk rocker and poet Exene Cervenka; the musician Elvis Costello; surf guitar legend Dick Dale; the postmodern critic Jacques Derrida; Beat poet Allen Ginsberg; Television's Richard Hell and Tom Verlaine; art curator Walter Hopps; Pretenders frontwoman Chrissie Hynde; country music legend Rickie Lee Jones; the Sex Pistols' John Lydon (a.k.a. Johnny Rotten); singer and songwriter Joni Mitchell; the Rabbi Jonathan Omer-Man; punk rock legend Joey Ramone; New York rock legend Lou Reed; the actress Eva Marie Saint; and the recently-departed Joe Strummer of the Clash. Also included are brief oral histories of Andy Warhol and Orson Welles.Talk to Her also includes portraits of each interview subject by some of the best cartoonists in the world, including Daniel Clowes, Charles Burns, Phoebe Glockner, Tony Millionaire, Jeff Wong and others.

Social satire in a misanthropic and existential vein, in the grand traditions of Kliban and Steadman. Tim Kreider's cartoons, previously seen only in the Baltimore City Paper , have attracted a cult following for their razor-sharp intelligence and unprecedented viciousness. His manic, spontaneous line, and his eye for facial expression, gesture, and detail make his cartoons more than one-shot gags. His humor is both erudite and puerile, as personally revealing as a drunken blackout and as politically trenchant as a lone gunman. Kreider's work has been likened to the foul result of inbreeding between Ralph Steadman and B. Kliban. The wide range of subject matter in this collection, from religion and politics to Nietzsche and pie, from sex and violence to the sheer pointlessness of it all, can only be suggested by a sampling of titles: "Breakfast for the Devil," "The Four Press Secretaries of the Apocalypse," "Belongings of the Deformed Child," "Learn German While Drunk," and "I'm Sorry I'm So Horrible." (The collection also includes the unspeakable "Graveyard Shift at the Pussy Juice Factory.") Kreider's vision of the human condition is of a man distracted from the vast starship hovering over his city by a glimpse of a pretty girl's ass; his version of the existential abyss is a cruddy laundromat with old magazines spilled on the plastic chairs and the word "FAGOT" scratched on a dryer; and the only hope or joy he finds in this life is in jigglin' dem monster juggs or setting a monkey's ass on fire. You may be ashamed to laugh, but laugh you will.

The co-creator of MAD and Little Annie Fanny finally gets the career retrospective he deserves. Will Elder is widely regarded as one of the most influential cartoonists of the second half of the 20th century. And one of the funniest. He is best known for his artistic partnership with Harvey Kurtzman on all their most highly visible collaborations throughout their careers: MAD magazine, Humbug, Goodman Beaver, Trump, and Little Annie Fanny. At long last, Elder is getting the book he so richly deserves: Will Elder: The Mad Playboy of Art, a gigantic coffee table book collecting his best work from more than a half a century of drawing and painting. The book will reprint a representative sampling of the work well-known to aficionados, including stories from the original MAD comic, independent efforts from Humbug, Help!, and Trump magazines, and Little Annie Fanny pages reproduced from the original, painted artwork. Above and beyond the known is the relatively unknown, obscure, or unpublished work, such as pages and spreads from a variety of magazines in the '50s and '60s that Elder contributed to (such as Pageant and Saturday Evening Post), the infamous Norman Rockwell painting parody slated for the 3rd, unreleased issue of Trump, hysterical gag sketches, celebrity caricatures, oil paintings done for his family, and more. The book includes commentary by Hugh Hefner, Harvey Kurtzman, Jack Davis, Al Jaffee, Terry Gilliam, William Stout, and Jerry Garcia, who describe the impact that Elder's work had on satire and comic at in the second half of 20th century America. Elder himself comments on individual pieces, and Daniel Clowes, the author of Ghost World, supplies the introduction.

Chronicles the life of the civil rights leader following the March on Washington, as King journeys from Chicago to his final days in Memphis.