From the world of the best-selling trilogy of books and the hit Netflix show comes a new chapter in the ALTERED CARBON universe! In the future, bodies can be changed like clothes, giving life an entirely new meaning—or lack of meaning. Takeshi Kovacs—once a member of the Envoy Corps, the elite, deadly troops of the Interstellar Earth Protectorate—now finds himself imprisoned . . both in a jail and in an extremely weak body. When he learns that Envoys he served with in a battle he somehow can't remember have been stolen and sold to one of the richest people in the universe, Kovacs vows to rescue them and get revenge. Leaving behind a staggering body count as he blazes across the galaxy, he wonders why he has a hole in his memory . and what secrets that gap holds for understanding his future and himself. ALTERED CARBON writer/creator RICHARD K. MORGAN is joined by writer SCOTT BRYAN WILSON (Batman Annual, Batman: Gotham Nights) and artist MAX FUCHS (Halcyon Days) to deliver the original graphic novel ALTERED CARBON: ONE LIFE, ONE DEATH, a violent, galaxy-spanning adventure of prison breaks, political intrigue, and sinister machinations.

Billy Butcher and the Boys continue their task of eliminating all superheroes, with Wee Hughie discovering the explosive truth behind Butcher's plan of vengeance.

"Collects issues one through six of The Boys: Highland Laddie and thirty-nine through fourty-seven of The Boys published by Dynamite."--Indicia.

"Contains material originally published in magazine form as The Boys #15-30"--Indicia.

Anxiety and longing suffuse incisive portraits of postwar Japan. Nazuna Saito began making comics late. She was in her forties when she submitted a story to a major Japanese publishing house and won an award for newcomers. She continued to work through the 1990s, until she stopped drawing to take care of her ailing parents. In her sixties, she took a job teaching drawing at Kyoto Seika University and became inspired by her talented students. When she returned to teaching, her storytelling interests had shifted. Before suffering a stroke, she drew In Captivity (2012) and Solitary Death Building (2015) both focused on aging and death. Offshore Lightning collects Saito s early work as well as these two recent graphic novellas. Stories like Buy Dog Food and Go Home and Offshore Lightning focus on middle-aged men caught in a cycle of self-pity and self-reflection. Saito gently pokes fun at their anguish and self-involvement while capturing the pathos of these men as they revisit childhood friendships and lost loves. By contrast, In Captivity follows three siblings visiting their ailing mother, who is succumbing to dementia and resentful at her loss of agency. The siblings take a drive as they reckon with balancing the painful legacy of her caustic personality with attempting to honour this woman at the end of her life. Solitary Death Building documents an eccentric cast of elderly gossips as death descends upon the housing complex where they live.