Presents a series of one-page comics that tell the same story in a variety of ways. Inspired by Raymond Queneau's 1947 work, which told a simple story in ninety-nine different styles and genres, this work uses varying points of view, visual and verbal parodies, even reshuffling of the elements of the story. A series of engrossing one page comics that tells the same story ninety nine different ways Matt Madden's 99 Ways to Tell a Story is a series of one-page comics that tell the same story in a variety of ways Inspired by Raymond Queneau's 1947 work of the same title, which told a simple story in ninety-nine different styles and genres - haiku, sonnet, book jacket blurb - Madden does the same but in different styles of comics - Marvel superhero, R. Crumb, Hergé, even as a map or the Bayeux Tapestry. Or he uses varying points of view, visual and verbal parodies, even radical reshuffling of the elements of the story. The result is funny, inspiring, and genuinely clever. ‘Delightful, intriguing and compelling. 99 Ways to Tell a Story is a zany masterpiece that reads like a convergence of Robert Louis Stevenson, Italo Calvino and Action Comics’ Harry Mathews

Winner of the Grand Prix 2009 de la Critique Bande Dessinée. Tamara Drewe has transformed herself. Plastic surgery, a different wardrobe, a smouldering look, have given her confidence and a new and thrilling power to attract, which she uses recklessly. Often just for the fun of it. People are drawn to Tamara Drewe, male and female. In the remote village where her late mother lived Tamara arrives to clear up the house. Here she becomes an object of lust, of envy, the focus of unrequited love, a seductress. To the village teenagers she is 'plastic-fantastic', a role model. Ultimately, when her hot and indiscriminate glances lead to tragedy, she is seen as a man-eater, a heartless home-wrecker, a slut. First appearing as a serial in the Guardian, in book form Tamara Drewe has been enlarged, embellished and lovingly improved by the author.

'Nowadays I don't get out of bed for less than a murder. I don't get out of bed much...Until today.' 'Private Researcher' Fernandez Britten is the messenger who would view being shot as a blessing. The years spent uncovering people's secret dramas and helping to confirm their darkest suspicions have taken their toll. Battered by remorse over the lives he has ruined, he clings to the hope of redemption through delivering, just once, a truth with a positive impact. It's a hope he has been clinging to for a long time. And so Britten and his 'unconventional' partner, Brulightly, take on the case of suicide Berni Kudos. At least, suicide was the official verdict. His fiancee, Charlotte Maughton, believes his death was something more sinister. Blackmail, revenge, murder: desperate acts are exposed, and this is no tree-lined avenue to justice. Each new revelation stirs the muddy waters of a family's dark secrets, and each fresh twist takes them further from that elusive redemption. There are murder mysteries and there are murder mysteries, but this is a noir where nothing is black and white.

As we inhabit the heads of several key characters - some kids who have it, some who don't, some who are about to get it - what unfolds isn't the expected battle to fight the plague, or bring heightened awareness of it, or even to treat it. And you thought your adolescence was scary. Suburban Seattle, the mid-1970s. We learn from the outset that a strange plague has descended upon the area's teenagers, transmitted by sexual contact. The disease is manifested any number of ways - from the hideously grotesque to the subtle (and concealable) - but once you've got it, that's it. There's no turning back. What we become witness to instead is a fascinating and eerie portrait of the nature of high-school alienation itself - the savagery, the cruelty, the relentless anxiety and ennui, the longing for escape. And then the murders start. As hypnotically beautiful as it is horrifying (and, believe it or not, autobiographical), Black Hole transcends its genre by deftly exploring a specific American cultural moment in flux and the kids who are caught in it - back when it wasn't exactly cool to be a hippie any more, but Bowie was still just a little too weird. To say nothing of sprouting horns and moulting your skin . .

Sacco gradually realized that Neven's own story - a microcosm of the Balkan conflict itself - might be the most compelling of all. Through Neven, Sacco tells the story of the warlords and gangsters who ran the country during the war, but all the time he - and the reader - never know whether Neven is telling the truth. In The Fixer Joe Sacco returns to Bosnia, the setting for his first masterpiece, Safe Area Gorazde. In 2001 he went back to Sarajevo to meet up with his old 'fixer', an army veteran called Neven who, for the right price, could arrange anything for the visiting journalist.

Collects stories such as 'When Good Bombs Happen to Bad People', 'More Women, More Children, More Quickly', and 'How I Loved the War'. Sacco paved the way for Palestine with his powerful triptych on modern war and its innocent victims, originally published in his comic Yahoo and collected here: 'When Good Bombs Happen to Bad People' chronicles the effect of aerial warfare on civilians, from Germany and Japan in World War II to Libya in 1986; 'More Women, More Children, More Quickly' is written from a victim's perspective, as Sacco illustrates his mother's harrowing experiences during Italian and German WWII raids on Malta; and 'How I Loved the War', Defeatist's centrepiece, is Sacco's impassioned but sardonic reflection on the Gulf War, and the surrounding propaganda and media circus. Published during the reign of Bush I, it has since acquired an even sharper relevance. Defeatist also features Sacco's first (relatively) long-form piece, 'In the Company of Long Hair', a hilarious roadie's-eye view of an American punk band's eventful European tour from Amsterdam to Madrid, as well as 'Cartoon Genius', 'Voyage to the End of the Library', 'A Disgusting Experience', and 'On My Day Off', a cycle of funny and rueful autobiographic comics that display Sacco's graphic verve to its fullest extent. Defeatist is rounded off with a large section of Sacco's earliest, pointedly satirical strips (none of which has been collected in book form before) and new introductions and notes by the author. A combination of youthful indiscretions and mature masterworks, Notes from a Defeatist spotlights the work of a brilliant young artist as he defines the capabilities and potential of his chosen medium.

In late l991 and early 1992, at the time of the first Intifada, Joe Sacco spent two months with the Palestinians in the West Bank and Gaza Strip, travelling and taking notes. He captures the heart of the Palestinian experience in image after unforgettable image, with great insight and remarkable humour. A landmark of graphic journalism, capturing the heart of day-to-day life in occupied Palestine. Palestine remains one of the most influential works of visual reportage ever created - a ground-breaking fusion of comic art and investigative journalism. Based on months of on-the-ground reporting in the early 1990s, Joe Sacco powerfully documents his own experiences and the daily lives of Palestinians during the First Intifada in the West Bank and Gaza Strip with remarkable insight and clarity. Through drawings, reportage and storytelling, Sacco captures the moments of grief, resilience and absurdity that conventional journalism can miss. Palestine is a modern classic that continues to inspire artists, journalists and readers who seek an unflinching and nuanced account of the conflict. ‘The bar is set extremely high when it comes to graphic books and the Middle East: one thinks of Joe Sacco's Palestine’ Guy Delisle ‘Palestine is utterly compelling, and as affecting as the work of any war photographer or poet’ Varsity For readers interested in Middle Eastern history, human rights and documentary storytelling.

Wise, often funny, sometimes heartbreaking, Persepolis tells the story of Marjane Satrapi's life in Tehran from the ages of six to fourteen, years that saw the overthrow of the Shah's regime, the triumph of the Islamic Revolution and the devastating effects of war with Iraq. Wise, often funny, sometimes heart-breaking, Persepolis tells the story of Marjane Satrapi's life in Tehran from the ages of six to fourteen, growing up during the Iranian Revolution. The intelligent and outspoken child of radical Marxists, and the great-grandaughter of Iran's last emperor, Satrapi bears witness to a childhood uniquely entwined with the history of her country. Persepolis paints an unforgettable portrait of daily life in Iran and of the bewildering contradictions between home life and public life. Amidst the tragedy, Marjane's child's eye view adds immediacy and humour, and her story of a childhood at once outrageous and ordinary, beset by the unthinkable and yet buffered by an extraordinary and loving family, is immensely moving. 'The magic of Marjane Satrapi's work is that it can condense a whole country's tragedy into one poignant, funny scene after another' Independent on Sunday **ONE OF THE GUARDIAN'S 100 BEST BOOKS OF THE 21st CENTURY**

With a subtle, complex and moving story and the drawings that are as simple and original as they are strikingly beautiful, Jimmy Corrigan is a book unlike any other and certainly not to be missed. **ONE OF THE GUARDIAN'S 100 BEST BOOKS OF THE 21st CENTURY** Jimmy Corrigan has rightly been hailed as the greatest graphic novel ever to be published. It won the Guardian First Book Award 2001, the first graphic novel to win a major British literary prize. It is the tragic autobiography of an office dogsbody in Chicago who one day meets the father who abandoned him as a child. **ONE OF THE GUARDIAN'S 100 BEST BOOKS OF THE 21st CENTURY**

Discover the adventures of David Boring in this electrifying new graphic novel from the author of Ghost World David Boring is a nineteen-year-old security guard with a tortured inner life and an obsessive nature. When he meets the girl of his dreams, things begin to go awry: what seems too good to be true apparently is, and what seems truest in Boring's life is that, given the right set of circumstances (in this case a sensational cascade of vengeance, humiliation and murder), the primal nature of mankind will come inexorably to the fore. 'Imagine a tilted comic-book homage to Hitchcock's Vertigo, but with religious cults, fetishistic scrapbooks and scenes of underwater coupling' - Guardian

Jimmy Corrigan has rightly been hailed as the greatest graphic novel ever to be published. With a subtle, complex and moving story and the drawings that are as simple and original as they are strikingly beautiful, Jimmy Corrigan is a book unlike any other and certainly not to be missed. It won the Guardian First Book Award 2001, the first graphic novel to win a major British literary prize. It is the tragic autobiography of an office dogsbody in Chicago who one day meets the father who abandoned him as a child.

Gemma is the bored, pretty second wife of Charlie Bovery, the reluctant stepmother of his children and the bete-noire of his ex-wife. Gemma's sudden windfall and distaste for London take them across the Channel to Normandy, where the charms of French country living soon wear off. The brilliant graphic novel behind the major new film starring Gemma Aterton (Quantum of Solace), Jason Flemyng (Lock, Stock and Two Smoking Barrels), Fabrice Luchini (In the House) and Mel Raido (Spooks) Gemma is the bored, pretty second wife of Charlie Bovery, the reluctant stepmother of his children and the bête-noire of his ex-wife. Is it a coincidence that Gemma Bovery has a name rather like Flaubert's notorious heroine? Is it by chance that, like Madame Bovary, Gemma is bored, adulterous, and a bad credit risk? Is she inevitably doomed? These questions consume Gemma's neighbour, the intellectual baker, Joubert. Denying voyeurism, but nevertheless noting every change in the fit of her jeans, every addition to Gemma's wardrobe, her love-bites and lovers, Joubert, with the help of the heroine's diaries, follows her path towards ruin. Adultery and its consequences. Disappointment and deception. The English in France. Fat and slim. Then and now.

Ghost World is the story of Enid and Rebecca, teenage friends facing the unwelcome prospect of adulthood, and the uncertain future of their complicated relationship. Clowes conjures a balanced semblance, both tender and objective, of their fragile existence, capturing the mundane thrills and hourly tragedies of a waning adolescence, as he follows a tenuous narrative thread through the fragmented lives of these two fully realised young women.

Ug and his parents are living in the Stone Age. And that means stone blankets, stone cold food, an even colder cave and, worst of all, hard stone trousers! Being an inquisitive and intelligent child, Ug suggests a series of modifications to improve the quality of family life. His ideas about heating, cooking, boats, and balls that actually bounce are met with a hostile reaction by his parents who don't know what he's going on about. Even Ug himself is occasionally unsure of the purpose of his inventions - his round stone that rolls down the hill is great, but what is it actually for? With the help of his father, who is slowly coming round to his son's way of thinking, Ug comes tantalisingly close to his ultimate garment goal, only to find that there are some obstacles even a boy genius can't overcome.