"Funny and informative, Jade effortlessly hits the sweet spot between silly and sincere to deliver a delightful treat despite its heavy topic. Grab a snack, a drink and definitely grab Food School!" – Hana Chatani, author of Give Her Back To Me A twenty-something college dropout enrols in a full-time outpatient program for eating disorder recovery. As they change their relationship with food, their relationships with people change, too. Olive''s post-secondary education isn''t what they''d planned. Instead of college, they spend five days a week, eight hours a day at what Olive calls "Food School": a full-time outpatient program for eating disorder recovery where they learn, talk, and cry about eating disorders as part of a survivor support group. Intensely committed to recovery, Olive confronts the secretive, self-destructive, and sometimes tragically comedic nature of their illness, while struggling with the complexities of modern mental health care. With support and perspective from their roommate, a fellow patient, and their partner, Olive learns to open up about their abusive relationship with food and exercise—and finds ways to cope with the reality of living in a society that actively encourages disordered eating. In this fictional slice of life comic, Jade Armstrong (Scout Is Not a Band Kid) explores the ways our relationships with food impact our connections with the people we love.

"This might be the best story about childhood that I''ve ever read (or heard). It''s a masterpiece." —Chester Brown "Vignettes from the unsupervised fringes of a 1970s Ontario suburb comprise this wistful graphic memoir from Lapp...an exceptional achievement."—Publishers Weekly starred review Dave Lapp''s new memoir unpacks a long, hazy 1970s summer and reveals that when we look beyond nostalgia, childhood is complicated—and rarely innocent. Dave’s on the verge of summer vacation and change is on the horizon. Developers have begun digging up a field on the edges of Dave''s universally familiar small town, presenting endless nooks and crannies for Dave and his fearless friend Edward to explore. Over the course of the summer, while the town''s adults remain focused on their fractured marriages and neighbourly resentments, the children are allowed to run wild in the field, collecting caterpillars and tadpoles, catching field mice (which they smuggle home), and nursing a curious fascination with Dave’s mother’s matches and their potential for disaster. As the summer meanders on, Edward brings a new friend into the circle. But John’s got a mean streak that’s strong enough to flip Dave’s world–and his place in it—upside down. In The Field, Ignatz-nominated creator Dave Lapp examines a time when kids stayed out until the streetlights came on--and exposes the dangers, foibles, and wildness of childhood in the 1970s.

"Hot To Trot is a beautifully told story of friendship, introspection, personal growth and empathy. I don't just read Veronica Post's comics, I dive into them."—Noah Van Sciver As Langosh and Yeva embark on an epic cross-country journey, they discover that old wounds—and differing personal experiences—have begun to threaten their close-knit friendship. The landscape of America creates a constantly evolving backdrop to their emotional voyage. As they explore big cities, small towns, prairies and mountains, Langosh opens up to Yeva about his experience of police brutality, and the stark difference between how they respond to the situation leads to deep reflection on how the past informs their current choices. The more they seek to influence each other, the more obscured their path becomes. As Yeva comes to understand the unjust act of violence that changed his life forever, she struggles with how Langosh decides to respond to what happened. Have the values that he formed in response to harm become barriers to his personal growth? Is Yeva callous to the realities that he faces? Can they stay true to themselves and keep their friendship alive? Influenced by Jillian Tamaki, Kate Beaton and Guy Delisle, Veronica Post examines how we respond to structual harm, the power and limitations of personal agency and the divide between individual freedoms and collective responsibility.

"Like a Coen Brothers film by way of Roz Chast." —Publishers Weekly In Moon Boots, cartoonist Lorenz Peters uses gentle humour and expressive lines to explore the lifestyle of a travelling musician—and discovers that sometimes, home is the open road and family is the people you meet along the way. When Lester LaFleur's relationship is upended by a breakup with his girlfriend, he decides to leave the city for good. With his guitar on his back and cowboy boots on his feet, Lester heads west across Canada, playing his hurtin' songs in empty taverns and to anyone who cares to listen. As Lester travels across the country, he meets others who appreciate his music and share his experiences—and develops a deep kinship with his fellow drifters. As they ride together toward their unknown fortunes, adventures ensue.

Indigenous Voices Award winner Cole Pauls returns with a robust collection of stories that celebrate the cultural practices and experiences of Dene and Arctic peoples Gathering Pauls’s comics from magazines, comic festivals and zine making workshops, these comics are his most personal work yet. You’ll learn stories about the author’s family, racism and identity, Yukon history, winter activities, Southern Tutchone language lessons and cultural practices. Have you ever wanted to learn how to Knuckle Hop? or to acknowledge and respect the Indigenous land you’re on? Or how to be an ally to Indigenous people? Well, gather around and hear this Kwändur! (Story!)

The final volume of the Drippy the Newsboy series based on the writings of Stephen Crane. Join Drippy, Harry, Bleeker and Zot in The Dripping Boat, as they battle waves, wind, wits, and wills. Following a shipwreck, the four find themselves stranded on a lifeboat, frantically trying to reach an invisible shore. Rub a dub dub, four men in a tub . . but how many will return? Drippy the character emerged in 1999. Lawrence had been working as a comics editor at a Vancouver weekly publication called Terminal City. When Terminal City folded, Lawrence and a couple of other ex-employees rallied to put together their own monthly newspaper, The Drippy Gazette. The mandate of the monthly publication was to feature artist interviews and events, and keep the Vancouver comics scene together. While the newspaper lasted 12 months, the mascot of the paper lived on in Lawrence's work.

Growing up in Haines Junction, YT, artist Cole Pauls performed in a traditional song and dance group called the Dakwäkãda Dancers. During that time, Pauls encountered the ancestral language of Southern Tutchone. Driven by a desire to help revitalize the language, he created Dakwäkãda Warriors, a bilingualcomic about two earth protectors saving the world from evil pioneers and cyborg sasquatches. Pauls’ Elders supported him throughout the creation process by offering consultation and translation. The resulting work is a whimsical young adult graphic novel that offers an accessible allegory of colonialism.

“This beautifully woven series of vignettes from the brilliant Aimee De Jongh are a necessary and poignant reminder of our common humanity.” —Joe Sacco “One of the great young cartoonists in the world.” —Comic Book Resources Aimée de Jongh, one of the brightest new talents in Europe, creates her first autobiographic work, focusing on taxi rides from four cities: Los Angeles, Paris, Jakarta, and Washington, DC. Despite the stunning and detailed streetscapes she passes, de Jongh discovers she’s more interested in the cab drivers than the view from the backseat. As the drivers slowly open up about their personal lives, de Jongh does too—even when it means challenging her own ideas and prejudices. Through these vulnerable—and often humorous—moments, de Jongh finds common ground with the people driving her. Taxi is an ode to taxi drivers everywhere. Aimée de Jongh is a Dutch graphic novel author, animator, and illustrator. After creating comics for a daily newspaper for nearly five years, she left in 2017 to make graphic novels full time. Her debut, The Return of the Honey Buzzard, won the Prix St Michel and was adapted to a live-action film. Her second book, Blossoms in Autumn, written by the acclaimed Belgian writer Zidrou, was awarded the Prix Atomium. She works and lives in Rotterdam, The Netherlands.

Set in a generic Fredericton suburb called Skyline Acres, this is the fictional biography of Martin Peters, a teenager with type one diabetes. The story revolves around Martin’s relationship with his on-againoff-again high school girlfriend, and how, desperate to fit in, he begins neglecting his health. His condition deteriorates until, eventually, he finds himself fighting for his life in the hospital. But how much of the story is true?