Concept art from the forthcoming disney film, Rapunzel. When it releases this fall, Rapunzel (new title forthcoming) will be the 50th animated feature produced by Walt Disney Animated Studios. Featuring the stunning concept art behind the newest Disney masterpiece-from sketches and character designs to storyboards and color scripts-The Art of Rapunzel also gives readers an inside look at the film's fascinating history, which began over sixty-five years ago with Walt Disney's early explorations in the fairy tale.

Outsider Art and Folk Art have been gaining increasing attention over the past two decades. They have been described as the 'hidden face of contemporary art'. Once marginalised and seen very much as a minority interest, these forms of art are now the subject of important international exhibitions and even have specially dedicated museums on both sides of the Atlantic. Hidden, secret, or reclusive this art may have been, but today its large international following stands as a testimony to its unique power and individuality. This second and enlarged edition of the Outsider Art Sourcebook is the first international publication to act as a comprehensive guide through this fascinating field. It leads its readers to make their own discoveries, showing where collections and exhibitions of Folk Art and Outsider Art can be found and how to visit the most sensational of the visionary environments self-built architecture and large scale sculpture gardens. With detailed full page entries on 130 artists and 50 visionary environments, this guide encompasses a full view of the most important areas of a field that still has discoveries to make. Students, scholars and art followers are introduced to the principal theorists of Art Brut, guided through important literature on the subject and given an introduction the most important artists and the most stunning visionary environments. With additional listings of specialist art galleries, museums and collections, publications, organisations and relevant websites, the Outsider Art Sourcebook is essential reading for enthusiasts and beginners alike.

High Glitz is a close-up and intimate look at America’s child beauty pageants, and in turn our society’s obsession with youth, beauty, fame, and fortune. Susan Anderson’s vibrant portraits of pageant contestants twist notions of sexuality and identity, with a new perspective on this uniquely American subculture. “High Glitz” is a subgenre of child beauty pageants characterized by couture “glitz” costumes and a broad array of cosmetic preparations including, among other tricks of the trade: glamour makeup, elaborate hairstyles, and “flippers” (false front teeth veneers). Anderson’s stunning visuals are complimented by a “High Glitz Style Guide,” defining and providing examples of the following categories: Beauty/Formal Wear, Western Wear, Sportswear, and Swimwear, with a special section on hairstyles such as “the Barbie” and the “Up-do.” Each year as many as 100,000 children under the age of 12 participate in U.S. child beauty pageants, and it has recently become a billion-dollar industry. Parents invest thousands of dollars on costumes and private coaches to give their children a competitive edge. Countless hours are spent by professional hair and makeup artists on each child in preparation for the competition. The girls are spray-tanned, made-up, and groomed to a glossy perfection. Anderson captures the results of this time-consuming transformation process in exquisite detail. In seeing how our society’s values of beauty, glamour, and celebrity are reflected in the hopes and dreams of thousands of young girls, we come to see that these pageants are a reflection of American culture itself.

Through the use of a rotating cast of symbols that include warhorses, slave ships, swarms of birds, Masonic pyramids, stunned elephants, stripped forests and more, Schoultz renders scenes that are both socially aware and critical. Themes such as class inequality, blind consumerism, militarism, and ecological waste are presented to the viewer to digest. Schoultz's work is both a mirror and beacon, telling narratives of our world. To further add context to the images, the book includes 4 essays, written by Aaron Noble, Caleb Neelon (Sonik), Kevin Chen, and Travis Jensen.