Faith is bored as hell. And Hell has noticed. Faith. Sex. The Devil. Faith likes to dabble with magic. Her friends think it’s cute—and not just a little off-putting, but it’s part of her charm and her warped search for purpose in a world that makes too much sense. But she's a true believer and knows there is a power within her reach. She’s right, of course. It just took a while for that magic, that temptation, that unknowable thing to find her . . In short—Faith is bored as hell. New York Times bestselling writer Brian Azzarello ( 100 Bullets, Moonshine) and artist Maria Llovet ( Loud) with Eisner Award winning artist Paul Pope on covers coalesce in a story of self-exploration, eroticism, and maybe even love.

At the age of twenty-five, Kimiko Tobimatsu was a young, queer, mixed-race woman with no history of health problems whose world was turned upside down when she was diagnosed with breast cancer. In an instant, she became immersed in a new and complicated life of endless appointments, evaluations, and treatments, and difficult conversations with her partner and parents. Kimiko knew that this wasn’t what being twenty-five was supposed to be like but then, she didn’t have a choice. With tender illustrations by Keet Geniza, Kimiko Does Cancer is a graphic memoir that upends the traditional “cancer narrative” from a young woman’s perspective, confronting issues such as dating while in menopause, navigating work and treatment, and talking to well-meaning friends, health care professionals, and other cancer survivors with viewpoints different from her own. Not one for pink ribbons or runs for the cure, Kimiko seeks connection within the cancer community while also critiquing the mainstream cancer experience. Honest and poignant, Kimiko Does Cancer is about finding one’s own way out of a health crisis.

An anthology of illustrated narratives about the prison and the lives it changed forever In January 2002, the United States sent a group of Muslim men they suspected of terrorism to a prison in Guantánamo Bay. They were the first of roughly 780 prisoners who would be held there—and 40 inmates still remain. Eighteen years later, very few of them have been ever charged with a crime. In Guantánamo Voices, journalist Sarah Mirk and her team of diverse, talented graphic novel artists tell the stories of ten people whose lives have been shaped and affected by the prison, including former prisoners, lawyers, social workers, and service members. This collection of illustrated interviews explores the history of Guantánamo and the world post-9/11, presenting this complicated partisan issue through a new lens.

Centuries after the fall of the Anthropocene, the last vestiges of human civilization are housed in a massive domed city powered by renewable energy, known as The Green Zone. Inside lives teenager Tenn Gavrilo, a brilliant bio-engineer who could rebuild the planet. But there's one problem: her resentful brother Seren is eager to dismantle the precarious Utopia. From the minds of Zac Thompson (X-Men, Yondu) and debut writer Emily Horn with artist Alberto Jimenez Alburquerque (Letter 44, Avengers ) comes a gorgeous and green solar-punk world filled with strange biotechnology, harsh superstorms, and divisive ideologies--ideologies that will tear Tenn and Seren down to their roots as they fight for a better Earth.

NATIONAL BESTSELLER • A powerful work of visual nonfiction about three generations of an Apache family struggling to protect sacred land from a multinational mining corporation, by MacArthur “Genius” and National Book Award finalist Lauren Redniss, the acclaimed author of Thunder & Lightning “Brilliant . . virtuosic . a master storyteller of a new order.”—Eliza Griswold, The New York Times Book Review (Editors’ Choice) NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS Oak Flat is a serene high-elevation mesa that sits above the southeastern Arizona desert, fifteen miles to the west of the San Carlos Apache Indian Reservation. For the San Carlos tribe, Oak Flat is a holy place, an ancient burial ground and religious site where Apache girls celebrate the coming-of-age ritual known as the Sunrise Ceremony. In 1995, a massive untapped copper reserve was discovered nearby. A decade later, a law was passed transferring the area to a private company, whose planned copper mine will wipe Oak Flat off the map—sending its natural springs, petroglyph-covered rocks, and old-growth trees tumbling into a void. Redniss’s deep reporting and haunting artwork anchor this mesmerizing human narrative. Oak Flat tells the story of a race-against-time struggle for a swath of American land, which pits one of the poorest communities in the United States against the federal government and two of the world’s largest mining conglomerates. The book follows the fortunes of two families with profound connections to the contested site: the Nosies, an Apache family whose teenage daughter is an activist and leader in the Oak Flat fight, and the Gorhams, a mining family whose patriarch was a sheriff in the lawless early days of Arizona statehood. The still-unresolved Oak Flat conflict is ripped from today’s headlines, but its story resonates with foundational American themes: the saga of westward expansion, the resistance and resilience of Native peoples, and the efforts of profiteers to control the land and unearth treasure beneath it while the lives of individuals hang in the balance.

"Something to be devoured.”— Shelf Awareness From New York Times bestselling author and artist Reza Farazmand, his first graphic novel about a young monster who moves to a big city City Monster is set in a world of supernatural creatures and follows a young monster who moves to the city. As he struggles to figure out his future, his new life is interrupted by questions about his mysterious roommate—a ghost who can’t remember the past. Joined by their neighbor, a vampire named Kim, they explore the city, meeting a series of strange and spooky characters and looking for answers about life, memories, and where to get a good beer. With Reza's signature style, and familiar snark, this graphic novel is equal parts irreverent and insightful, the perfect vehicle for conveying the utter absurdity of our bizarre and confusing times.

A topical dystopia of a future ruled by a giant corporation, The Company, that's all too easy to imagine. 2051. The world's largest corporation, The Company, has seized power on a planetary scale and runs the world as if it were a business. In a plutocracy, the richer one is, the more powerful one is. At a time when it seems more and more natural that wealthy people such as Silvio Berlusconi or Donald Trump come to political power, this graphic novel envisions the possibility that, in the near future, the world will be governed by a plutocratic system in which it will go without saying that politics and wealth go hand in hand.