Omschrijving
Thomas Woodruff was still in his twenties when he collaborated with avante-garde theater director Robert Wilson on the decor for his opera Edison. A former tattoo artist, his artwork spans an incredible range of techniques, appearances, and emotions. The complexity of his enterprise reaches a new high with the paintings in this book -- his most ambitious project, five years in the making. Beyond their fanatical visual complexity and impact, these creations embody the metaphysical sense of what i