Tank Girl wheels in with a wallop in this double whammy of wonderfully wild and whacked out adventures, straight from the pages of Carioca and Skidmarks. Gaze in amazement with your ocular orbs on the latest collected editions of the eclectic adventures of Tank Girl . A collection of even more classic tales from the cult favorite comic as discussed in the hit Netflix show Sex Education! Carioca: Written by Tank Girl co-creator Alan Martin with artwork by the legendary Mick McMahon. After our heroine is rudely snubbed on a TV game show, she plots the death of the vulgar host in question unwittingly releasing the vengeance of his embittered wife and a gang of highly trained assassins as a result! Skidmarks: Drawn by Rufus Dayglo. Tank Girl sets off on an illegal cross-continental race in a bid to win enough money for an incredibly expensive operation to bring her best friend Barney out of a skateboard-accident induced coma.

Maia, the youngest, half-goblin son of the Emperor has lived his entire life in exile, distant from the Imperial Court and the deadly intrigue that suffuses it. But when his father and three sons in line for the throne are killed in an "accident," he has no choice but to take his place as the only surviving rightful heir. Entirely unschooled in the art of court politics, he has no friends, no advisors, and the sure knowledge that whoever assassinated his father and brothers could make an attempt on his life at any moment. Surrounded by sycophants eager to curry favour with the naive new emperor, and overwhelmed by the burdens of his new life, he can trust nobody. Amid the swirl of plots to depose him, offers of arranged marriages, and the spectre of the unknown conspirators who lurk in the shadows, he must quickly adjust to life as the Goblin Emperor.

New Suns: Original Speculative Fiction by People of Color showcases emerging and seasoned writers of many races telling stories filled with shocking delights, powerful visions of the familiar made strange. Between this book’s covers burn tales of science fiction, fantasy, horror, and their indefinable overlappings. Winner of the 2020 Locus, World Fantasy, British Fantasy, Ignyte, and Brave New Words Awards. “There’s nothing new under the sun, but there are new suns,” proclaimed Octavia E. Butler. These are authors aware of our many possible pasts and futures, authors freed of stereotypes and clichés, ready to dazzle you with their daring genius. Unexpected brilliance shines forth from every page. Includes stories by Kathleen Alcala, Minsoo Kang, Anil Menon, Silvia Moreno-Garcia, Alex Jennings, Alberto Yanez, Steven Barnes, Jaymee Goh, Karin Lowachee, E. Lily Yu, Andrea Hairston, Tobias Buckell, Hiromi Goto, Rebecca Roanhorse, Indrapramit Das, Chinelo Onwualu and Darcie Little Badger .

A compilation of Garfield strips features the insatiable, unrepentant feline sleeping, snacking, and snarking his way through interactions with the long-suffering Jon, Odie, Nermal, and other favorite companions.

THE NATIONAL BESTSELLER A sensational compilation of the most striking images taken from the Morphia series has been gathered together in a celebration of Kerby Rosanes's talent. Colormorphia is a selection of Kerby Rosanes's most remarkable artwork, featuring a stunning, full-color sixteen-page section at the beginning of the book that displays some of the most accomplished completed artworks produced by Kerby's fans. These demonstrate the range of approaches colorists can experiment with when coloring. Kerby comments on the styles and the results, describing why they work so well. The artwork displayed in the color section are included in the black-and-white section of the book, too, giving the reader the opportunity to duplicate the approach should they wish. In addition, there are a variety of images to color featuring the very best from Kerby's Morphia portfolio. These include show-stopping spreads, such as the tiger from Animorphia and the camel from Imagimorphia, among others.

What seemed like a risk-free gig that should have got him some easy cash turns into a fast-track to Hell for Tyler Cross. A hell called "Angola," the biggest high-security prison in the United States, surrounded by swamps and crushed by the sweltering Louisiana sunshine. And then just to put the cherry on the cake, the Scarfo clan has put a price on his head, and there are a whole load of Sicilians among Tyler's fellow inmates. If Tyler ever manages to get out of this penitentiary hell, it sure won't be for good conduct.

A complete, illustrated introduction to the creation of pixel art aimed at beginners just starting out right through to the experienced pixel artist wanting to enhance their skills. Hand anyone a pencil and paper and they can start drawing, but it's just as easy to draw digitally using a keyboard and mouse. With Make Your Own Pixel Art, pixel artist Jennifer Dawe and game designer Matthew Humphries walk you step-by-step through the available tools, pixel art techniques, the importance of shapes, colours, shading, and how to turn your art into animation. By the end of the book, you'll be creating art far beyond what's possible on paper!

Reclaiming fun as a meaningful concept for understanding games and play. Fun is somewhat ambiguous. If something is fun, is it pleasant? Entertaining? Silly? A way to trick students into learning? Fun also has baggage-it seems inconsequential, embarrassing, child's play. In Fun, Taste, & Games, John Sharp and David Thomas reclaim fun as a productive and meaningful tool for understanding and appreciating play and games. They position fun at the heart of the aesthetics of games. As beauty was to art, they argue, fun is to play and games-the aesthetic goal that we measure our experiences and interpretations against. Sharp and Thomas use this fun-centered aesthetic framework to explore a range of games and game issues-from workplace bingo to Meow Wolf, from basketball to Myst, from the consumer marketplace to Marcel Duchamp. They begin by outlining three elements for understanding the drive, creation, and experience of fun: set-outsideness, ludic forms, and ambiguity. Moving from theory to practice and back again, they explore the complicated relationships among the titular fun, taste, and games. They consider, among other things, the dismissal of fun by game journalists and designers; the seminal but underinfluential game Myst, and how tastes change over time; the shattering of the gamer community in Gamergate; and an aesthetics of play that goes beyond games.