When Valeros and his companions are tasked with tracking down a mysterious beast scarring the locals of Sandpoint, they find far more than they bargained for! A seemingly simple monster hunt becomes a twisted tale of danger and betrayal as the Cult of Lamashtu exacts its revenge on our iconic heroes. With an action-packed story written by Jim Zub (Samurai Jack, Skullkickers) and lavish artwork by newcomers Sean Izaakse and Ivan Anaya, this second volume continues the thrilling adventures of the Pathfinder heroes in the richly envisioned fantasy world of Golarion. Bonus materials include over thirty-pages of encounters and world detail for the Pathfinder Roleplaying Game, and a brand-new poster map.

The Pathfinders Valeros, Seoni, Kyra, and Merisiel are drawn into the interdimensional Worldscape, where the greatest warriors throughout the history of Barsoom, Golarion, and Earth clash in an ancient battle of life and death! Only the most dangerous among the combatants - a motley assortment which includes such legendary heroes as Red Sonja, John Carter and Tars Tarkas of Mars, the jungle adventurers Tarzan and Thun'da - have any hope of surviving the deadly gladatorial pits and joining with the Pathfinder heroes in armed revolt against their oppressors! Written by Erik Mona (Paizo Publisher and Chief Creative Officer) and featuring sensational artwork by Jonathan Lau (Kevin Smith's Bionic Man), the Worldscape saga draws the greatest fantasy heroes of literature and comics into the mythos of Paizo's award-winning fantasy world, fiction line, and tabletop RPG. Bonus materials include over thirty pages of character sheets, encounters, and world detail for the Pathfinder Roleplaying Game, including a poster map. ""The world of Pathfinder is a vast one and Worldscape... shows just how much fun it can be when it goes just a bit bigger."" - Newsarama ""Well-paced, well-drawn, and entertaining."" - Multiversity Comics ""The writing is straight out of a good fantasy novel, thrusting the reader into the action and having us caught up in the hullaballoo before we know what even hit us."" - Outright Geekery

In a delightful, curious game of what comes next, Moomintroll travels through the woods to get home with milk for Moominmamma. A simple trip turns into a colorful adventure as Moomintroll meets Mymble, who has lost her sister, Little My. Along the way, they endure the hijinks of all the charming characters of the Moomin world, including the Fillijonks and Hattifatteners. Will Moomintroll ever make it home safe and sound? A beautiful and boisterous story by internationally acclaimed children's author Tove Jansson, this picture book is sure to tickle the fancies of parents and kids as well as Moomintroll fans everywhere!

The enchanting comic strip that introduced adult readers to the wonderful world of Moomin Tove Jansson is revered around the world as one of the foremost children's authors of the twentieth century for her illustrated chapter books regarding the magical worlds of her creation, the Moomins. The Moomins saw life in many forms but debuted to its biggest audience ever on the pages of the world's largest newspaper, the London Evening News, in 1954. The strip was syndicated in newspapers around the world with millions of readers in forty countries. Moomin Book One is the first volume of Drawn & Quarterly's publishing plan to reprint the entire strip drawn by Jansson before she handed over the reins to her brother Lars in 1960. This is the first time the strip will be published in any form in North America and will deservedly place Jansson among the international cartooning greats of the last century. The Moomins are a tight-knit family-hippo-shaped creatures with easygoing and adventurous outlooks. Jansson's art is pared down and precise, yet able to compose beautiful portraits of ambling creatures in fields of flowers or on rock-strewn beaches that recall Jansson's Nordic roots. The comic strip reached out to adults with its gentle and droll sense of humor. Whimsical but with biting undertones, Jansson's observations of everyday life, including guests who overstay their welcome, modern art, movie stars, and high society, easily caught the attention of an international audience and still resonate today.

A new mother takes us on a tour of Hamil- ton, a Rust Belt city born of the Industrial Revolution and dying a slow death due to globalization. This mother represents the city s next wave of inhabitants the artists and young parents who swarm a run-down area for its affordability, inevitably reshaping the neighborhoods they take over. Creation looks at gentrification from the inside out an artist mother making a home and neighborhood for her family, struggling to find her place amid the exist- ing and emerging communities. While pushing her child s stroller around Hamilton, Nickerson shows us the warehouse filled with open barrels of toxic sludge, the parking lot where the city s homeless population sleeps, and the re- furbished Victorian house (complete with elegant chandeliers) that is now a state- of-the-art yoga studio. Creation presents the city as a living thing a place where many small lives intersect and where death, motherhood, pollution, poverty, and violence are all interconnected. Drawn in evocative watercolor, Cre- ation is unafraid to leave questions open- ended as Nickerson wanders the city and ponders just where the personal and political intersect, and where they ought to intersect.

In The River at Night, Kevin Huizenga delves deep into consciousness. What begins as a simple, distracted conversation between husband and wife, Glenn and Wendy Ganges him reading a library book and her working on her computer becomes an exploration of being and the passage of time. As they head to bed, Wendy exhausted by a fussy editor and Glenn energized by his reading and no small amount of caffeine, the story begins to fracture. The River at Night flashes back, first to satirize the dot-com boom of the late 1990s and then to examine the camaraderie of playing first-person shooter video games with work colleagues. Huizenga shifts focus to suggest ways to fall asleep as Glenn ponders what the passage of time feels like to geologists or productivity gurus. The story explores the simple pleasures of a marriage, like lying awake in bed next to a slumbering lover, along with the less cherished moments of disappointment or inadvertent betrayal of trust. Huizenga uses the cartoon medium like a symphony, establishing rhythms and introducing themes that he returns to, adding and subtracting events and thoughts, stretching and compressing time. A walk to the library becomes a meditation on how we understand time, as Huizenga shows the breadth of the comics medium in surprising ways. The River at Night is a modern formalist masterpiece as empathetic, inventive, and funny as anything ever written.

The Handbook to Lazy Parenting is the bestselling cartoonist Guy Delisle's final tribute to the frequently hilarious and absurd situations that any parent will find themselves in when raising young children--all told with his trademark sarcastic wit. But even as his children grow older, wiser, and less interested in their father's antics, Delisle has no shortage of bad-parenting stories, only now, sometimes the joke is on him! From trying to convince Louis to play video games instead of letting him do his homework, to forgetting Alice in a stationery store after buying a pen, to tricking the kids out of dessert to make up for his own blunder, Delisle tells relatable stories of parenthood, the mistakes we have trouble admitting to, and the impulse that we all sometimes have to give a comically serious answer to a child's comically serious question. With impressive timing and pacing in these lighthearted vignettes, Delisle delivers his gut-wrenchingly funny punch lines in self-deprecating fashion, letting everyone know who is ultimately the butt of the joke. The Handbook to Lazy Parenting will delight parents, of course, but also anyone who has raised or known an inquisitive child and needs some pro tips on being, well, a bad dad!

Yellow Yellow is a charmingly simple story of a child whose playground is a gritty urban cityscape, written by Frank Asch and drawn by Mark Alan Stamaty. With no parent in sight, the boy wanders the sidewalks to find a yellow construction hat that quickly becomes his favorite belonging, earning him many compliments from strangers on nearby stoops. Eventually the boy meets the owner of the hat and must return it, leading the child to make his own yellow hat. Yet the story comes alive via the visual feast of urban oddities that the Who Needs Donuts? cartoonist Stamaty packs in the background of this rediscovered children s classic. As the boy innocently wears his yellow hard hat down city streets, he is oblivious to his surrealist fun-house surroundings filled with fantastical neighbors, such as an old lady on a unicycle and a punk with a head full of fish vacuuming the sidewalk. In scratchy black ink drawings, Stamaty builds a bygone city filled with small storefronts shoe stores, bookshops, delicatessens, and barbershops all packed with detail upon detail. Delightfully grotesque humor lurks in the scenery of Yellow Yellow from page to page, rewarding multiple readings. Stamaty s imagination to fill the space is as limitless as the world was to a young boy in 1970.